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J.S. Bach: Partita 1 BWV825 - Corrente
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Signed-off-by: Davide Madrisan <[email protected]>
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madrisan committed Feb 19, 2024
1 parent 9265069 commit a0e4a40
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Expand Up @@ -97,7 +97,8 @@
\include "./parts/bach-partita-1-1-praeludium.ly"
\pageBreak
\include "./parts/bach-partita-1-2-allemande.ly"
%\include "./parts/bach-partita-1-3-corrente.ly"
\pageBreak
\include "./parts/bach-partita-1-3-corrente.ly"
%\include "./parts/bach-partita-1-4-sarabande.ly"
%\include "./parts/bach-partita-1-5-menuet-1.ly"
%\include "./parts/bach-partita-1-5-menuet-2.ly"
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Original file line number Diff line number Diff line change
@@ -1,20 +1,99 @@
Global = {
\key c \major
\time 4/4
\key bes \major
\time 3/4
\include "../global.ly"
}

staffLower = { \change Staff = "lower" }
staffUpper = { \change Staff = "upper" }

Soprano = \context Voice = "one" \relative c' {
Soprano = \context Voice = "one" \relative c'' {
\voiceOne
\stemNeutral
\stemNeutral\tieNeutral
\override MultiMeasureRest.staff-position = #0
\override Rest.staff-position = #0
\repeat volta 4 {
\partial 8 bes8
%1
| R1
\fine
| bes8*2/3 d a bes f bes d f a,
| bes d a bes g bes es g a,
| bes f' c d bes d f bes d,
| g a, c f g, bes es f, a
%5
| d4~ d8*2/3 bes d f d c
| bes d a bes g bes d g bes
| e,4~ e8*2/3 c e g e d
| c e b c a c e a c
| f,4~ f8*2/3 d f a4~
%10
| a8*2/3 d, c bes d g c, bes a^~
| a bes a g bes e a, g f~
| f=' g f e g c f, e d
| e4. r16 e' e8.\prall d32 e
| f8*2/3 c a f8. f'=''16 f8.\prall e32 f
%15
| g8*2/3 e bes g8. g'=''16 g8.\prall f32 g
| aes8*2/3 e f d f aes b c f,=''
| e d c g' e c bes! a g
| a c g a f a c f g,='
| f a e f d f a d e,
%20
| d=' f c d bes d f bes c,
| bes4~ bes8. g'16 bes,8. g'16
| bes,=4~\prall bes8. bes16 g'8*2/3 a, bes
| a c bes c f e bes' a g='
| f a e g c g a c e,
%25
| f=' a e f c f a c e,
| f a e f c f a c es,
| d bes' g e4.\parenthesize\prall f8
| <a, c f>2 r8
}
\pageBreak
\repeat volta 4 {
\partial 8 f'8
| f8*2/3 a e f c f a c g
%30
| a c g a fis a c es bes
| c es bes c a c fis a d,
| bes' c es, a bes d, g a c,
| fis4~\prall fis8*2/3 d fis a d, c
| bes d a bes g bes d f bes
%35
| es,4~ es8*2/3 c es g c, bes
| a c g a f a c f a
| d,4~ d8*2/3 bes d f bes, aes
| g8. f'16 es8. bes'16 aes8. d,=''16
| \stemNeutral es,8. d'16 c8. g'16 f8. b,16
%40
| c,='8. bes'16 a8. es'16 d8. g,16
| fis8*2/3 a c es d c a'8 r
| d,,8*2/3 g bes d c bes bes'8 r
| cis,,8*2/3 es g bes a g e'8. g,='16
| fis8*2/3 g a d, fis a c bes a
%45
| g' f es d c bes a c fis,
| g4. r16 bes d,8. es16
| f8*2/3 aes es f aes d f8. aes,16
| g8*2/3 bes f g bes es g4~
| g8*2/3 f es d es f g, a bes
%50
| a4\prall r8. a16 a8.\prall g32 a
| bes8*2/3 f d bes8. bes'16 bes8.\prall a32 bes
| c8*2/3 a es c8. c'16 c8.\prall bes32 c
| des8*2/3 a bes g bes des e f bes,
| a\prall g f es'4~ es8*2/3 d c
%55
| des g c, des a bes es, d\prall es
| d f c d bes d f bes es,
| f bes es, f d f bes d a
| bes d a bes f bes d f aes,
| g es' c a4.\prall bes8
%60
| <d, f bes>2 r8
\override Score.TextMark.self-alignment-X = #CENTER
\textEndMark \markup { \musicglyph "scripts.ufermata" }
}
}

Alto = \context Voice = "two" \relative c' {
Expand All @@ -31,14 +110,91 @@ Tenor = \context Voice = "three" \relative c {
%1
}

Bass = \context Voice = "four" \relative c {
Bass = \context Voice = "four" \relative c' {
\voiceFour
\stemDown\tieNeutral
\stemNeutral\tieNeutral
\override MultiMeasureRest.staff-position = #0
\override Rest.staff-position = #0
\repeat volta 4 {
\partial 8 r8
%1
| R1
\fine
| bes4. r16 d16 bes8. d16
| g,4. r16 es' bes8. es16
| d,4. r16 f' d8. f16
| es8. es,16 d8. d'16 c8. c,16
%5
| bes8*2/3 d a bes f bes d f a,
| g4~ g8. d'16 bes8. g16
| c8*2/3 e b c g c e g bes,
| a4~ a8. e'16 c8. a16
| d8*2/3 f c d a d f a c,=
%10
| bes!8. a'16 g8. bes,16 a8. f'16
| g,8. f'16 e8. g,16 f8. d'16
| e,8. d'16 c8. e,16 d8. bes'16
| c,8*2/3 e g c e g bes, a g
| c, f a c f a c, bes a
%15
| c, g' c e g bes e, d c
| <c, b'>4 r4 r
| <c c'> r8. c'16 d8. e16
| f8*2/3 a c f, a c e, a c
| d,= f a d, f a c, f a
%20
| bes, d f bes, d f a, d f
| g, bes d g, bes d f, bes d
| es, g c e g f e d c
| f8. d16 a8. bes16 c8. c,16
| f8. c'16 a8. c16 f,8. a16
%25
| d,8. c'16 a8. c16 f,8. a16
| a,8. c'16 a8. c16 f,8. a16
| bes,8. bes'16 c4 c,
| f2 r8
}
\repeat volta 4 {
\partial 8 r8
| f'4. r16 a c8. es!16
%30
| es,4. r16 fis a8. c16
| d,4. r16 a' d8. fis16
| g='8. g,16 f!8. f'16 es8. es,16
| d8*2/3 fis a \clef treble d fis a c8 r
| \clef bass g,,8*2/3 bes d g bes d f8 r
%35
| c,8*2/3 es g \clef treble c es g bes8 r
| \clef bass f,,8*2/3 a c f a c es8 r
| bes,8*2/3 d f \clef treble bes d f aes8 r
| r8*2/3 es d c es g f d bes~
| bes c bes \clef bass aes c es d b g~
%40
| g a g fis a c bes g es~
| es c' a fis g a es d c
| bes g' d bes c d g, fis e
| d8. cis'16 d,8. cis'16 d,8. cis'16
| d,4. r16 es'! d8. c16
%45
| bes8. fis'16 g8. c,16 d8. d,16
| g8*2/3 bes fis g d g bes d g,
| d4 r8. bes'16 d8*2/3 f bes,
| es4~ es8*2/3 g es c es g,
| a!8. f'16 bes8. d,16 es8. c16
%40
| f,8*2/3 a c f a c es, d c
| f, bes d f bes d f, es d
| f, c' f a c es a, g f
| <f, e'>4 r r
| <f f'>~ f8*2/3 a c f g a
%45
| bes8. a16 bes8. e,16 f8. f,16
| bes8*2/3 d es f d c bes d g
| g,4 r r
| d8*2/3 bes' c d c bes f' d bes
| es,8. es'16 f4 f,
| bes2 r8
\tweak direction #DOWN
\textEndMark \markup { \musicglyph "scripts.dfermata" }
}
}

\score {
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