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J.S. Bach: Suite Anglaise 1: Gigue
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Signed-off-by: Davide Madrisan <[email protected]>
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madrisan committed Jul 30, 2024
1 parent 275e327 commit 1aa4095
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2 changes: 1 addition & 1 deletion CHANGELOG.md
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Expand Up @@ -3,7 +3,7 @@
All notable changes to this project will be documented in this file.
The format is based on [Keep a Changelog](https://keepachangelog.com/en/1.0.0/).

## [v54] - unreleased
## [v54] - 2024-08-01

### Added

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Expand Up @@ -4,22 +4,68 @@ Global = {
\include "../global.ly"
}

Soprano = \context Voice = "one" \relative c' {
Soprano = \context Voice = "one" \relative c'' {
\voiceOne
\stemUp\tieUp
\stemNeutral\tieNeutral\slurNeutral
\override MultiMeasureRest.staff-position = #0
\override Rest.staff-position = #0
\repeat volta 2 {
\partial 8 r8
\partial 8 e8
%1
| R1*15
| r4 r4 r8
| a8 gis16 fis e d cis( d) d8.(\trill cis32 d)
| e8 d16( cis b a) gis( a) a8.(\trill gis32 a)
| b16( cis) cis8.(\trill b32 cis) d8. e16 \once\stemUp \grace d8 cis8~
| cis16 d b8.\prall e16 cis b a b cis d
%5
| e d cis d e fis g fis e fis g a
| fis e d e fis gis a gis fis gis a b
| gis fis e fis gis a b a gis fis e d
| cis dis e fis gis e a gis fis e dis cis
| b cis dis e fis dis gis fis e dis cis b
%10
| a b cis dis e cis fis e dis cis b a
| gis e' dis cis b a gis( a32 b) fis8.\parenthesize\prall[ e16]
| e fis gis a b gis cis b a gis fis e
| dis e fis gis a fis b a gis fis e dis
| cis dis e fis gis e a gis fis e dis cis
%15
| b a' gis fis e dis e( fis) fis8.\downprall e16
| e4.~ e4
}
\break
\pageBreak
\repeat volta 2 {
\partial 8 r8
| R1*23
| r4 r4 r8
\partial 8 b'8
| e,8 fis16 gis a b a( b) b8.(\trill a32 b)
| cis16 d cis b a g fis fis' e d cis b
| ais( b) b8.( ais32\trill b) cis16( d) d8.\trill( cis32 d)
%20
| e8. fis16 \once\stemUp \grace e8 d~ d16 e cis8.\prall fis16
| dis16 b cis dis e fis e( fis) fis8.\trill^\markup { \tiny\natural }( e32 fis)
| g16 a g fis e d c b' a g fis e
| dis( e) e8.\trill( dis32 e) fis16( g) g8.\trill fis32 g
| a8. b16 \once\stemUp \grace a8 g~ g16 a fis8.\prall b16
%25
| gis a gis fis e d cis b a b cis d
| e d cis b a g fis e d e fis g
| a d, d'4 ~ d16 b gis b e,8~
| e16 a cis4~ cis16 a fis a d, cis'
| b gis e gis cis, b' a fis d fis b, a'
%30
| gis e fis gis a b a( b) b8.\trill( a32 b)
| cis16 a b cis d e d( e) e8.\trill( d32 e)
| fis16 d e fis g a gis( a) a8.\trill( gis32 a)
| b16 a gis fis e d cis b a b cis d
| e d cis b a g fis e' d cis b a
%35
| gis e fis gis a gis a16( b) gis8.\trill( fis32 gis)
| a16 b cis d e cis fis e d cis b a
| gis a b cis d b e d cis b a gis
| fis gis a b cis a d cis b a gis fis
| e d' cis b a gis a( b) b8.\trill a16
%40
| a4.~ a4
\override Score.TextMark.self-alignment-X = #CENTER
\textEndMark \markup { \musicglyph "scripts.ufermata" }
}
}

Expand All @@ -34,24 +80,78 @@ Tenor = \context Voice = "three" \relative c {
\voiceThree
\stemUp\tieUp
\override Rest.staff-position = #0
\mergeDifferentlyDottedOn
\partial 8 s8
%1
| s1*6/8*15
| e,8 gis b e4
\partial 8 s8
| s1*6/8*23
| a,,8 cis e a4
}

Bass = \context Voice = "four" \relative c {
\voiceFour
\stemDown\tieDown
\stemNeutral\tieNeutral\slurNeutral
\override MultiMeasureRest.staff-position = #0
\override Rest.staff-position = #0
\override Script.direction = #UP
\repeat volta 2 {
\partial 8 r8
%1
| R1*15
| r4 r4 r8
| r4 e'8 a8 gis16 fis e d
| cis( d) d8.(\trill cis32 d) e8 d16( cis b a)
| gis( a) a8.(\trill gis32 a) b16 a gis e a gis
| fis d e8 e,16 e' a8 gis16 fis e d
%5
| cis( d) d8.(\trill cis32 d) e16 a, a' g fis e
| d( e) e8.(\trill d32 e) fis16 b, b' a gis fis
| e( fis) fis8.(\trill e32 fis) gis16 fis e fis gis e
| a b cis b a gis fis gis a gis a fis
| gis a b a gis fis e fis gis fis gis e
%10
| fis gis a gis fis e dis e fis e fis dis
| e( fis) fis\trill e32 fis gis16 a a\trill gis32 a b8[ b,]
| e, e'16 d! cis b a8 a8.\trill( gis32 a)
| b16 cis dis cis b a gis8_. gis8.\trill( fis32 gis)
| a16 b cis b a gis fis gis a gis fis e
%15
| dis8 b' cis a b b,
| \stemDown\tieDown e4.~ e4
}
\repeat volta 2 {
\partial 8 r8
| R1*23
| r4 r4 r8
| \stemNeutral r4 r8 r4 e'8
| a,8 b16 cis d e d( e) e8.\trill( d32 e)
| fis8 e16 d cis b ais( b) b8.\trill( ais32 b)
%20
| cis16 fis, gis ais b cis d b fis'8 fis,
| b4 r8 r4 b'8
| e, fis16 g a b a( b) b8.\trill^\markup{ \tiny\natural }( a32 b)
| c16 b a g fis e dis( e) e8.\trill dis32 e
| fis16 b, cis dis e fis g e b'8\parenthesize\mordent b,
%25
| e, fis16 gis! a b a( b) b8.\trill( a32 b)
| cis16 a b cis d e d16( e) e8.\trill( d32 e)
| fis8. d16 b d gis,!8. e'16 gis e
| a8. e16 a, cis d,8. fis16 gis8~
| gis16 b cis8. e16 fis a b fis d b
%30
| e a gis fis e d cis d e d cis b
| a d cis b a g fis g a g fis e
| d fis g a b cis d e d cis b a
| gis e fis gis a b a( b) b8.\trill( a32 b)
| cis16 b a b cis a d cis b cis d b
%35
| e fis e d cis b cis d e8 e,
| a a'16( gis fis e) d8 d8.\trill( cis32 d)
| e16 fis gis fis e d cis8_. cis8.\trill( b32 cis)
| d16 e fis e d cis b cis d cis b a
| gis8 e' fis d e e,
%40
| \stemDown a,4.~ a4
\tweak direction #DOWN
\textEndMark \markup { \musicglyph "scripts.dfermata" }
}
}

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