-
Notifications
You must be signed in to change notification settings - Fork 0
/
index.html
527 lines (443 loc) · 51.9 KB
/
index.html
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
117
118
119
120
121
122
123
124
125
126
127
128
129
130
131
132
133
134
135
136
137
138
139
140
141
142
143
144
145
146
147
148
149
150
151
152
153
154
155
156
157
158
159
160
161
162
163
164
165
166
167
168
169
170
171
172
173
174
175
176
177
178
179
180
181
182
183
184
185
186
187
188
189
190
191
192
193
194
195
196
197
198
199
200
201
202
203
204
205
206
207
208
209
210
211
212
213
214
215
216
217
218
219
220
221
222
223
224
225
226
227
228
229
230
231
232
233
234
235
236
237
238
239
240
241
242
243
244
245
246
247
248
249
250
251
252
253
254
255
256
257
258
259
260
261
262
263
264
265
266
267
268
269
270
271
272
273
274
275
276
277
278
279
280
281
282
283
284
285
286
287
288
289
290
291
292
293
294
295
296
297
298
299
300
301
302
303
304
305
306
307
308
309
310
311
312
313
314
315
316
317
318
319
320
321
322
323
324
325
326
327
328
329
330
331
332
333
334
335
336
337
338
339
340
341
342
343
344
345
346
347
348
349
350
351
352
353
354
355
356
357
358
359
360
361
362
363
364
365
366
367
368
369
370
371
372
373
374
375
376
377
378
379
380
381
382
383
384
385
386
387
388
389
390
391
392
393
394
395
396
397
398
399
400
401
402
403
404
405
406
407
408
409
410
411
412
413
414
415
416
417
418
419
420
421
422
423
424
425
426
427
428
429
430
431
432
433
434
435
436
437
438
439
440
441
442
443
444
445
446
447
448
449
450
451
452
453
454
455
456
457
458
459
460
461
462
463
464
465
466
467
468
469
470
471
472
473
474
475
476
477
478
479
480
481
482
483
484
485
486
487
488
489
490
491
492
493
494
495
496
497
498
499
500
501
502
503
504
505
506
507
508
509
510
511
512
513
514
515
516
517
518
519
520
521
522
523
524
525
526
527
<!DOCTYPE html>
<html lang="en" class="no-js">
<head>
<meta charset="utf-8">
<meta http-equiv="X-UA-Compatible" content="IE=edge,chrome=1">
<title></title>
<meta name="description" content="Alessia Adorna">
<meta name="viewport" content="width=device-width, initial-scale=1">
<link rel="stylesheet" href="css/bootstrap.min.css">
<link href='http://fonts.googleapis.com/css?family=Istok Web' rel='stylesheet' type='text/css'>
<link rel="stylesheet" href="css/bootstrap-theme.min.css">
<link rel="stylesheet" href="css/main.css">
<link href="css/ekko-lightbox.css" rel="stylesheet">
<link href="//netdna.bootstrapcdn.com/font-awesome/4.0.3/css/font-awesome.css" rel="stylesheet">
<link rel="stylesheet" href="css/font-awesome.min.css">
<link rel="shortcut icon" href="favicon.ico">
<script src="js/vendor/modernizr-2.6.2-respond-1.1.0.min.js"></script>
</head>
<body data-spy="scroll" data-offset="50" data-target="#menu">
<div id="header">
<div id="myCarousel" class="carousel slide" data-ride="carousel">
<!-- Indicators -->
<ol class="carousel-indicators">
<li data-target="#myCarousel" data-slide-to="0" class="active"></li>
<li data-target="#myCarousel" data-slide-to="1"></li>
<li data-target="#myCarousel" data-slide-to="2"></li>
</ol>
<!-- Wrapper for slides -->
<div class="carousel-inner">
<div class="item active"><img src="img/home.jpg" alt="Alessia Adorna"><div class="carousel-caption"><h1>A.M.A</h1><p>Painter</p></div></div>
<div class="item"><img src="img/home 2.jpg" alt="Alessia Adorna"><div class="carousel-caption"><h1>A.M.A</h1><p>Painter</p></div></div>
<div class="item"><img src="img/home 3.jpg" alt="Alessia Adorna"><div class="carousel-caption"><h1>A.M.A</h1><p>Photographer</p></div></div>
</div>
<!-- Controls -->
<a class="left carousel-control" href="#myCarousel" data-slide="prev">
<span class="glyphicon glyphicon-chevron-left"></span>
</a>
<a class="right carousel-control" href="#myCarousel" data-slide="next">
<span class="glyphicon glyphicon-chevron-right"></span>
</a>
</div>
</div>
<div id="menu" class="navbar navbar-default">
<div class="container">
<div class="navbar-header">
<button type="button" class="navbar-toggle" data-toggle="collapse" data-target=".navbar-collapse">
<span class="icon-bar"></span>
<span class="icon-bar"></span>
<span class="icon-bar"></span>
</button>
<a class="navbar-brand" href="body">Alessia Adorna</a>
</div>
<div class="navbar-collapse collapse">
<ul class="nav navbar-nav pull-right">
<li><a href="#portrait">Portrait</a></li>
<li><a href="#gallery">Gallery</a></li>
<li><a href="#history">History</a></li>
<li><a href="#contact">Contact</a></li>
</ul>
</div><!--/.nav-collapse -->
</div>
</div>
<div id="content">
<div class="container">
<section id="portrait" class="row">
<article class="col-12">
<h2>Portrait</h2>
<div class="row">
<div class="col-lg-3 col-md-3 col-sm-3 col-xs-12">
<div class="thumbnail">
<img src="img/portrait.jpg" alt="Alessia Adorna" class="img-responsive">
</div>
</div>
<div class="col-lg-6 col-md-6 col-sm-6 col-xs-12">
<div class="thumbnail">
<div class="caption text-justify">
<p><b>Alessia Maria Adorna</b> born in the Valley of Painters Italy Piemonte (VB) on the night of August 10th is the St. Lawrence, night or cosmic vacuum is studded with a multitude of shooting stars.</p>
<p>She graduated high school art Novara.</p>
<p>She frequently thereafter, the National University of Art History of Milan with a thesis on "Eroticism in Painting" is: the image of the woman, between light and shadow elevated to sovereign in the figurative arts of all time.</p>
<p>The encounter with the painting by Alessia very recently, after her studies she has worked with various activities such as: camera model, actress for various television production of Mediaset, but the soul of anarchist and wild Alessia could not continue in the field of a career.</p>
<p>Freedom has always represented his only real aspiration, even if only in dreams the man feels truly free.</p>
<p>Truth is the only sun that lights its way... and it was and it is now very difficult to defend the treasure.</p>
<p>A total and complete artist knows that one true love of his life will be <b>authentic</b>.</p>
<p>The friendship with the famous art critic Mirka Hajek Miroslawa was made even more aware that a work of art coincided with the biography of the same one who produced it, and the intuition of the psychic The future belongs to the above sensitivity of the artist.</p>
<p>Through painting and photography research it, continually, new answers and alternatives to dominant the banality of our times.</p>
<p>It is not necessary to resort to the enjoyment of drugs, because his visions are dreamlike and crazy enough and imagination to the extreme.</p>
<p>The artist of reckless temperament likes to define his visions in the mind and heart. (Sic)</p>
<p>He believes in a God without being religious polymorphic in this god who is in us and our daily life makes divine and sacred only if we manage to recognize it, the god of courage that makes us know that he does will not someone in the afterlife, but only that for us to attend, breathe and recreate every time he does not correspond to our conscious idea.</p>
<p>Half angel and half devil, sweet and wild, the sinking was never banal, a perfect staging corroded remnants of the past and the poetry itself (sic) and a piece of Baudelaire, exotic, erotic, heroic.</p>
<p>But it is "damned good as far as" truculent and seraphic, primitive and jaded, beaten and invulnerable, strong, asthenic, aristocrat and plebeian, perverse and innocent, hilarious and desolate, cultured, reserved and laborious and miserable and monastic.</p>
<p>Medusa and Eurydice without Orfée?<p>
<p>No one can know. The artist dedicated and emptied, overwhelmed by an ever-present mystery.</p>
<p>Artist avid research and experience, completed contracts, proposals unstable precisely as it should be, today, anyone who moves like her and many others who hang out together in the desire for a parking place or last, cons already discounted the reluctance to accept it permanently, as to accept a risk of death.</p>
<p>"Painting has always been Ultra Open. Freedom is a form of desire so high that it is impossible to stop."</p>
<p>It represents the case of the artist who feels a thrill of amazement frightened.</p>
</div>
</div>
</div>
</div>
</article>
</section>
<section id="gallery" class="row">
<article class="col-12">
<h2>Gallery</h2>
<div class="row">
<div class="col-lg-8 col-lg-offset-2 col-md-8 col-md-offset-2 col-sm-8 col-sm-offset-2 col-xs-12">
<div class="row thumbnail">
<a href="img/gallery.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 2.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 2.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 3.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 3.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 4.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 4.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 5.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 5.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 6.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 6.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 7.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 7.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 8.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 8.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 9.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 9.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 10.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 10.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 11.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 11.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 12.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 12.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 13.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 13.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 14.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 14.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 15.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 15.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 16.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 16.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 17.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 17.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 18.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 18.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 19.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 19.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 20.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 20.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 21.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 21.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 22.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 22.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 23.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 23.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 24.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 24.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 25.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 25.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 26.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 26.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 27.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 27.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 28.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 28.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 29.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 29.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 30.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 30.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 31.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 31.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 32.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 32.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 33.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 33.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 34.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 34.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 35.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 35.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 36.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 36.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 37.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 37.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 38.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 38.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 39.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 39.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 40.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 40.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 41.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 41.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 42.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 42.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 43.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 43.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 44.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 44.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 45.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 45.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 46.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 46.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 47.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 47.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 48.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 48.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 49.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 49.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 50.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 50.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 51.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 51.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 53.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 53.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 54.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 54.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 55.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 55.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 56.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 56.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 57.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 57.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 58.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 58.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 59.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 59.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 60.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 60.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 61.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 61.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 62.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 62.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 63.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 63.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 64.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 64.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 65.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 65.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 66.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 66.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 67.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 67.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 68.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 68.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 69.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 69.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 70.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 70.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 71.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 71.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
<a href="img/gallery 72.jpg" data-toggle="lightbox" data-gallery="imagesizes" class="col-sm-3">
<img src="img/gallery 72.jpg" alt="Alessia Adorna" class="img-responsive">
</a>
</div>
</div>
</div>
</article>
</section>
<section id="history" class="row">
<article class="col-12">
<h2>History</h2>
<div class="row">
<div class="col-lg-6 col-lg-offset-3 col-md-6 col-md-offset-3 col-sm-6 col-sm-offset-3 col-xs-12">
<div class="thumbnail">
<div class="caption text-justify">
<p><b>Francesco Saverio Adorna</b> was one of the early balloonists (some say even the first one) and his ascension only historically documented is the tenth of the story. It must be considered, therefore, a true pioneer and deserves for this to be counted among the great characters dell'aerostatica Italian.</p>
<blockquote class="blockquote-reverse">The sky is open we go up there</blockquote>
<p>His family was descended from the Adorna (or Adorno) of Genova in the late fourteenth and the second decade of the sixteenth century had prestige and power by giving several doges to the maritime republic. In 1528, however, the Andrea Doria, after having deposed the doge Antoniotto II Adorno, forced them to leave the city and seek refuge in the Borromean Islands on Lake Maggiore. From there they settled in the Valley vigezzo in Piedmont, where Francis Xavier was born January 14, 1744 in Villette, a village near Malesco. In 1758, as is customary for the villagers, the young Minetto emigrated with his father before going to Switzerland and then in Argentina. Before 1744 returned to Europe and settled in Strasbourg where he worked in various commercial activities accumulating a considerable fortune.</p>
<p>We are in the Enlightenment and the scientific research has developed considerably throughout Europe and arouses great enthusiasm. Evidently also adorned affected by this climate, is interested in the aerostatic experiments and the possibilities of human flight and decided to make himself a balloon with which groped climb. Unfortunately everything did not reach us any documents or testimony and the only company aerostatic made by Adorna which you have some news ascension is completed May 15, 1784 on the Citadel of <b>Strasbourg</b>. The balloon, designed and built by the same Adorned with the collaboration of the brothers or Enslin Enslen, appears in a lithograph in colors reminiscent of the time sumptuously decorated and built by the Montgolfier brothers for the first ascent of human Pilatre de Rozier. In the middle of the enclosure are reproduced alternating signs of the zodiac to the depiction of the sun, while on the top of a pennant bears the inscription Coelum patet ibimus illuc (The sky calls to us, let's go). The chronicles indicate that the ball had a height of 80 feet, a circumference of 156, a volume of over 115 thousand cubic feet and weighing more than two tons and a half. Whereas the measures were expressed in French feet the ball had to have a height of about 25 meters and a volume of about 4200 cubic meters, that is similar to a modern hot-air balloon.</p>
<p>Despite the preparation, we can imagine hardworking, the company has unfortunately not as successful as hoped. According to Michel Faure writes in his <b>Les Frères Montgolfier</b> The Conquest et de l'air the ball, carrying Adorna and a second pilot remains unknown (perhaps a relative of his), takes off and climbs up to fifty feet above the ground but suddenly loses altitude control without going to bump up to the roofs of houses, causing the inclination of the ring onto which are the drivers and the deflation of the balloon in contact with the flame of the stove catches fire ending completely destroyed. Adorna and her sidekick are rescued very battered, but unharmed. The event is mentioned by both the Universal Journal of Florence, is in the memories of Henriette de Waldner, better known as Baroness of Oberkirch, who in his Memoires known as "the disaster caused a sensation, especially among the burghers and merchants. Trembles at It thought that the aeronauts could fall on the pavement in front of the cathedral going to meet a horrible death. " Although short-lived and ended disastrously it is still the tenth absolute ascension of the story.</p>
<p>After this experience, it seems that Adorna has made other attempts in various European cities, but there is no precise information about it. In particular, it could have been the author of the first ascent in Poland, although historians attribute the Frenchman Jean Pierre Blanchard. In any case, some merit in Poland must have acquired, as the king conferred upon him the title of Knight of St. Stanislaus. Following stays in France, in Bordeaux and Paris, where his name is changed to adorned, but there are no reports of other companies aerostatic. Adorned is quoted by the magazine Aviation Boffitto in 1933 and in the history of the Air Dolfuss as well as by some writers and local reporters.</p>
<p>According to some rumors, until now, however, not supported by evidence, in 1780 or 1781 Adorned would have made the first human flight in history with a homemade balloon, in advance of two or three years on the flight Pilatre de Rozier and the Marquis d'Arlandes with the balloon of the Montgolfier brothers. Sure would be nice to be able to attribute the glory of the first human flight to an Italian, but irrefutable documents that prove this news has not yet been found, and then, for the moment, the first and only ascent of Adorna is historically documented that made May 15, 1784 . Minetto's descendants still live today in Villette, in the family home, but do not retain any memory of the illustrious ancestor.</p>
<img src="img/coelum-patet-ibimus-illuc.jpg" alt="Coelum patet ibimus illuc" class="img-responsive center-block thumbnail"><figcaption>Coelum patet ibimus illuc</figcaption>
<p>Francesco Saverio Adorna, called "Minetto," forerunner of the balloon flight.</p>
<p>The ancestry of Genoa in common with Adorno accounts Adorni Braccesi, now living in their villa in Colognora Task Capannori, adorned with Villette (Verbania) from whose family took the birthplace of Francesco Saverio , the <b>precursor of aerostatic flight</b>.</p>
<p>In the historic home, a stone's throw from the airport Tassignano, where every year there is the "Festival of the Air," Alessandro Ranieri Adorni Braccesi retain the original color print of an old, dated 1784 and dedicated to '"ascension Sieur du adorned, "a representative of the first aerostatic ascents made by Francesco Saverio in the sky Adorned in Strasbourg. The balloon was 26 feet tall and over 51 circumference with a weight of 26 tons and a half. Flag stood on the motto "Coelum patet ibimus illuc" The sky is open, let's go up there.</p>
<p>Some documents are currently under research shows that already in 1780 or 1781, so before the Montgolfier brothers, Francis Xavier would have experienced a balloon ascension with a homebuilt. These reasons have prompted the municipal administration of Capannori to intitolargli Trophy 2009, which will take the name of "1st Trophy Aerostatic Francesco Saverio Adorna."</p>
<p>From some surveys showing that Francis Xavier was actually the first to take off with a balloon. The experiment lasted only a few minutes and ended with the total destruction of the ball. Fortunately there was no serious damage to the pilot and his passenger whose name is still unknown.</p>
<p>In addition to these experiences the Adorna effected other flights in Europe, and perhaps the first ascent in Poland, although historians attribute it to the Frenchman Jean Pierre Blanchard. For this feat, the King of Poland, the frieze of the knighthood of St. Stanislaus Augustus. Following "Minetto" stayed in France.</p>
<p>Francesco Saverio was born in <b>Villette (VB)</b> <i>January 14, 1744</i>. His ancestors, in fact, after having escaped the massacre of Adorno in Genoa, had settled before the Borromean Islands and then finally in Villette. Following the fate of many of its convalligiani, youth emigrated abroad. Repatriated eighteen remained in the family until about 1770, then driven by his passion for physics, riespatriò focusing on the study of aeronautics, a subject that already at that time fascinated scientists.</p>
<img src="img/coelum-patet-ibimus-illuc 2.jpg" alt="Coelum patet ibimus illuc" class="img-responsive center-block thumbnail"><figcaption>Coelum patet ibimus illuc</figcaption>
<h3>Adorna in History</h3>
<p>In the early days of this family lived mercatura, becoming rich, and then was taken to the highest level and became a <b>patrician family in Genova</b>. The first to have the political power in Genoa was LANFRANCO Adorno, Elder in 1261 in the same city; in 1336 he was Senior BALDASSARRE Adorno of Genoa; GUIDO Adorno, the Genoese admiral, in 1284 brought a great victory over the Pisans; MELIADUCE Adorno in 1346 led, at his own expense, a galley with three hundred armed men, to the conquest of the island of Chios (Chios) and other lands of Asia Minor; Agostino Adorno, captain of Genoese galleys, in 1391 he was sent to Romania by the Republic of Genoa; Domenico Adorno in 1393, he was Officer of the commission of the Republic of Genoa; in 1399; GIORGIO Adorno, doctor office of the Wise, and Antonio Giustiniani, were elected prior of Genoa.</p>
<p>A <b>Antoniotto Adorno in 1403 was governor of Corsica</b>; Teramo Adorno in 1418 was elected doge of Genoa, but never reigned; in 1445 another Antoniotto was general of the Genoese; JEROME, Elector of elderly Genoese, in 1523, he was Ambassador of Emperor Charles V at the Pope Hadrian, the King of England, and the Venetian Republic, and was named Duke of the Empire.</p>
<img src="img/il-doge-antoniotto-i.jpg" alt="Il doge Antoniotto I" class="img-responsive center-block thumbnail"><figcaption>The Doge Antoniotto</figcaption>
<p>In 1363 Gabriele Adorno, a shareholder of Maona Chios Chios and Prince (King and Despot, the Greek) in 1362, was the first of the House to hold the highest office of the Republic, the Doge of Genoa; in 1368 he was imperial vicar. Other Doge home Antoniotto I was Adorno, who in 1390 obtained the title of Baron of the Kingdom of Sicily and Jerusalem, and had the Lords of Grimault, St Tropez, Novi Ligure; by his daughter, BRIDGET, born branch of Adorni of Pisa, which in 1771 will give rise to another branch that will carry the name Adorni Braccesi.</p>
<p>The family had all seven doges: GABRIELE, Antoniotto I, GEORGE, PROSPEROUS, BARNABA, and RAFFAELE Antoniotto II. The family gave the Catholic Church a prelate, LUCHINO, who was Archbishop of Nicosia in Cyprus, Bishop of and in Cyprus.</p>
<img src="img/il-doge-giorgio-adorna.jpg" alt="Il doge Giorgio Adorna" class="img-responsive center-block thumbnail"><figcaption>Il doge Giorgio Adorna</figcaption>
<p>Crown ducal and royal since 1637.<br>
Currencies: Iuncti et fortes.<br>
Omnia praetereunt.<br>
Adurnus Utroque Paratus.<br>
</p>
<img src="img/stemma-araldico-adorna.jpg" alt="Stemma araldico Adorna" class="img-responsive center-block thumbnail"><figcaption>Heraldic coat of arms adorns</figcaption>
<h3>The <b>Marchesa Paolina Adorno</b> portrayed by the <b>Flemish painter Sir Anthony Van Dyck</b> 1627</h3>
<p>The canvas can be considered as the landing point of the research of composition by Anton Van Dyck's portrait on the topic over the years in Genoa. All the elements that contribute to the celebration of personal, family and class are paged in a broad and diverse architectural frame, which adds magnificence to the composition. The feathers on the pillow next to fade and the rose symbolize the transience of bellezza.Il lace in the period of Van Dyck.</p>
<p>Translation taken from:<br>
Lace of the Vandyke Period, Jackson, Mrs. F. Nevill. The Connoisseur, Vol 2 (1902)
</p>
<p>The golden age of the hand-made lace was the sixteenth century, where we find clear evidence in pictorial art. On the precious paintings of the laces are painted with great detail to show us all the processing and splendor of these artifacts. Among the wear and tear very few have survived, but some are preserved as relics in the most important museums in the world. Van Dyck's portraits have a great historical documentary, show us the different techniques used at the time when the needle and bobbin laces were. Before these laces knew other types of transparencies realized as the cut off point and the network. When the edges of the clothes were worn, they were crudely mended by weaving the threads of the fabric: this was considered "the embryo of lace." In the paintings of Carpaccio you can see the gallons or trimmings formed from a web of golden threads. This is very similar to intricate blend lace, which is known very well in the two portraits of the Paola-adorned Marchesa Brignole Sale. One of these portraits is located in Genoa in the Gallery of the Red Palace and the other is part of the private collection of the Duke of Abercon. Thirteen rows of expensive ornament round the bottom of the dress; the long neck and the sleeves are decorated with Camuffo the linen thread worked according to the characteristics of the time.</p>
<img src="img/marchesa-paola-adorno.jpg" alt="Marchesa Paola Adorno" class="img-responsive center-block thumbnail"><figcaption>Paola Adorno Marchesa</figcaption>
<p>These loose wires twisted, resembling the current "torchon", were carried out by farmers across Europe. In England, this type of lace was called "Bone Lace" (bone lace "because the wires were wrapped in small animal bones). Queen Anne also acquired the "Great bone lace" and "Little bone lace" in Winchester and Basino. In the suburbs of these cities were a lot of lace, a lot more than we are currently. Following the Carpaccio, Frans Pourbus, Holbein paintings took on the history of lace, showing in detail the delicate guipure lace in the collars and the edges of the sixteenth century. But Antony Van Dyck in his portraits showed the magnificence of lace, giving the right value as a valuable accessory in the clothes. There is a subtle charm in handmade lace that is not easy to explain, they all recognize the grace and the effect of the softness of the ruffles and cascades of lace. When a woman brings in her lace dress, her look is made more attractive; even the most lavish dress never seems vulgar.</p>
<p>Van Dyck did not want his princely and magnificent "models" posassero with too much jewelry, should give more importance to the lace jewel.</p>
<p>Had it not been so, many of his portraits have lost their charm. It can be inferred so that Van Dyck portrait with such passion his models and the lace has been a real source of inspiration and probably without the lace, many of his paintings were not carried out. The refined artistic sense of VD is due to the brilliance of diamonds rubies and emeralds: the lace in its incomparable beauty in comparison not lost value (it is true, however, that the right value was given by those who had good taste and he recognized the details).</p>
<p>At the end of the sixteenth century in Italy influenced the fashion of ruffs or collars adorned with "Mantle" or geometric lace and spread throughout Europe, this influence was due in Venice, Genoa, Padua, Paris, not dictated until new ideas in fashion.</p>
<p>V.D. he painted his portraits in this period of transition in fashion showing, in the various ways of dressing, the two types of collars "coll rabbutus", that is the big saggy necks of men and drives to the Medici and the low-cut corsets women trimmed lace. These examples extravagant dressing, remained to us in all their charm and beauty through the skilful hand of a great artist. In many portraits by Van Dyck and Rubens can be seen that the fashion of ruffles at the wrists survived the tight cuffs for many years, even after the end of the ruffs that had been abandoned for a new way of dressing.</p>
<p>During the period of Maria de 'Medici, the rigid collars that took its name, were brought closed at the beginning of the neck or in a more elegant beading neckline of a fine lace, as the Queen Henrietta Maria and Helena Fourment.</p>
<img src="img/marchesa-paola-adorno%202.jpg" alt="Marchesa Paola Adorno" class="img-responsive center-block thumbnail"><figcaption>Paola Adorno Marchesa</figcaption>
<p>The <b>Marquis Anton Giulio Brignole Sale</b> (Genoa, June 23, 1605 - Genoa, March 20, 1662) was a religious, Italian writer and diplomat in the service of the Republic of Genoa.</p>
<p>The Equestrian Portrait of Anton Giulio Brignole-Sale is an oil painting on canvas by Anthony van Dyck.</p>
<p>The painting depicts the Marquis Genoese Anton Giulio Brignole Sale, the son of the future Doge of Genoa Giovanni Francesco Brignole.</p>
<p>Born in 1605, the nobleman is represented on horseback. Is this the first of many equestrian portraits made by Van Dyck, culminating with large portraits of King Charles I of England on horseback (Charles I on horseback). The young artistocratico rides a white horse and takes off his hat with his right hand. At his feet a dog, behind the columns and a rural landscape with a navy background.</p>
<p>The portrait was executed together with that of the wife of the Marquis, Portrait of Paolina Adorno, Marchesa di Brignole-Sale.</p>
<h3>Antoon Van Dick</h3>
<p>Anthony van Dyck (Antwerp, March 22, 1599 - London, December 9, 1641) was one of the most 'great Flemish painters, primarily a portraitist, who became the first court painter in England, after a long stay in Italy. It is universally known for his portraits of the Genoese nobility and King Charles I of England, the members of his family and his court. With his method of painting of relaxed elegance, influenced the English portraitists, such as Peter Lely, for the next years. In addition to portraits, for which he was very much appreciated, it was also occupied with biblical and mythological subjects, introducing some notable innovations painting.</p>
<p>He was a pupil and friend of the painter Peter Paul Rubens, which assimilated the technique and, in part, the style.</p>
<p>After spending his youth in Antwerp, he moved to Italy, where he performed the ritual journey of formation, characteristic of all the great Flemish painters. Here he had the opportunity to see and copy some great Renaissance works, especially his favorite painter, Titian. On his return from Italy, he spent in England at the court of Charles I of England, where he worked almost exclusively of portraits.</p>
<img src="img/sir-antoon-van-dick-autoritratto.jpg" alt="Sir Antoon Van Dick autoritratto" class="img-responsive center-block thumbnail"><figcaption>Sir Anthony Van Dyck self-portrait</figcaption>
</div>
</div>
</div>
</div>
</article>
</section>
<section id="contact" class="row">
<article class="col-12">
<h2>Contact</h2>
<div class="col-lg-offset-4 col-md-offset-4 col-sm-offset-4 col-lg-4 col-md-4 col-sm-4 col-xs-12 text-center">
<div class="thumbnail">
<div class="caption">
<img src="img/contact.jpg" alt="Alessia Adorna" class="img-responsive center-block">
<h3>Alessia Adorna</h3>
<p><a type="button" href="http://www.facebook.com/alessia.adorna" class="btn btn-default btn-lg"><i class="fa fa-facebook fa-fw"></i></a>
<a type="button" href="mailto:[email protected]?subject=Contact from alessiaadorna.com" class="btn btn-default btn-lg">Contact</a></p>
</div>
</div>
</div>
</article>
</section>
<footer>
<p>© Alessia Adorna 2022</p>
</footer>
</div><!-- /container -->
</div>
<script src="//ajax.googleapis.com/ajax/libs/jquery/1.11.0/jquery.min.js"></script>
<script>window.jQuery || document.write('<script src="js/vendor/jquery-1.11.0.min.js"><\/script>')</script>
<script src="js/vendor/bootstrap.min.js"></script>
<script src="js/plugins.js"></script>
<script src="js/main.js"></script>
<script src="js/vendor/ekko-lightbox.js"></script>
<script type="text/javascript">
$(document).ready(function ($) {
// delegate calls to data-toggle="lightbox"
$(document).delegate('*[data-toggle="lightbox"]', 'click', function(event) {
event.preventDefault();
return $(this).ekkoLightbox({
onShown: function() {
if (window.console) {
return console.log('Checking our the events huh?');
}
}
});
});
//Programatically call
$('#open-image').click(function (e) {
e.preventDefault();
$(this).ekkoLightbox();
});
$('#open-youtube').click(function (e) {
e.preventDefault();
$(this).ekkoLightbox();
});
});
</script>
</body>
</html>