diff --git a/CHANGELOG.md b/CHANGELOG.md
index dd9378be..343cc333 100644
--- a/CHANGELOG.md
+++ b/CHANGELOG.md
@@ -3,7 +3,7 @@
 All notable changes to this project will be documented in this file.
 The format is based on [Keep a Changelog](https://keepachangelog.com/en/1.0.0/).
 
-## [v54] - unreleased
+## [v54] - 2024-08-01
 
 ### Added
 
diff --git a/src/johann-sebastian-bach/suites-anglaises/BWV806/parts/bach-suite-anglaise-1-7-gigue.ly b/src/johann-sebastian-bach/suites-anglaises/BWV806/parts/bach-suite-anglaise-1-7-gigue.ly
index 39a544b7..210bcddc 100644
--- a/src/johann-sebastian-bach/suites-anglaises/BWV806/parts/bach-suite-anglaise-1-7-gigue.ly
+++ b/src/johann-sebastian-bach/suites-anglaises/BWV806/parts/bach-suite-anglaise-1-7-gigue.ly
@@ -4,22 +4,68 @@ Global = {
   \include "../global.ly"
 }
 
-Soprano = \context Voice = "one" \relative c' {
+Soprano = \context Voice = "one" \relative c'' {
   \voiceOne
-  \stemUp\tieUp
+  \stemNeutral\tieNeutral\slurNeutral
   \override MultiMeasureRest.staff-position = #0
   \override Rest.staff-position = #0
   \repeat volta 2 {
-  \partial 8 r8
+  \partial 8 e8
   %1
-  | R1*15
-  | r4 r4 r8
+  | a8 gis16 fis e d cis( d) d8.(\trill cis32 d)
+  | e8 d16( cis b a) gis( a) a8.(\trill gis32 a)
+  | b16( cis) cis8.(\trill b32 cis) d8. e16 \once\stemUp \grace d8 cis8~
+  | cis16 d  b8.\prall e16 cis b a b cis d
+  %5
+  | e d cis d e fis g fis e fis g a
+  | fis e d e fis gis a gis fis gis a b
+  | gis fis e fis gis a b a gis fis e d
+  | cis dis e fis gis e a gis fis e dis cis
+  | b cis dis e fis dis gis fis e dis cis b
+  %10
+  | a b cis dis e cis fis e dis cis b a
+  | gis e' dis cis b a gis( a32 b) fis8.\parenthesize\prall[ e16]
+  | e fis gis a b gis cis b a gis fis e
+  | dis e fis gis a fis b a gis fis e dis
+  | cis dis e fis gis e a gis fis e dis cis
+  %15
+  | b a' gis fis e dis e( fis) fis8.\downprall e16
+  | e4.~ e4
   }
-  \break
+  \pageBreak
   \repeat volta 2 {
-  \partial 8 r8
-  | R1*23
-  | r4 r4 r8
+  \partial 8 b'8
+  | e,8 fis16 gis a b a( b) b8.(\trill a32 b)
+  | cis16 d cis b a g fis fis' e d cis b
+  | ais( b) b8.( ais32\trill b) cis16( d) d8.\trill( cis32 d)
+  %20
+  | e8. fis16 \once\stemUp \grace e8 d~ d16 e cis8.\prall fis16
+  | dis16 b cis dis e fis e( fis) fis8.\trill^\markup { \tiny\natural }( e32 fis)
+  | g16 a g fis e d c b' a g fis e
+  | dis( e) e8.\trill( dis32 e) fis16( g) g8.\trill fis32 g
+  | a8. b16 \once\stemUp \grace a8 g~ g16 a fis8.\prall b16
+  %25
+  | gis a gis fis e d cis b a b cis d
+  | e d cis b a g fis e d e fis g
+  | a d, d'4 ~ d16 b gis b e,8~
+  | e16 a cis4~ cis16 a fis a d, cis'
+  | b gis e gis cis, b' a fis d fis b, a'
+  %30
+  | gis e fis gis a b a( b) b8.\trill( a32 b)
+  | cis16 a b cis d e d( e) e8.\trill( d32 e)
+  | fis16 d e fis g a gis( a) a8.\trill( gis32 a)
+  | b16 a gis fis e d cis b a b cis d
+  | e d cis b a g fis e' d cis b a
+  %35
+  | gis e fis gis a gis a16( b) gis8.\trill( fis32 gis)
+  | a16 b cis d e cis fis e d cis b a
+  | gis a b cis d b e d cis b a gis
+  | fis gis a b cis a d cis b a gis fis
+  | e d' cis b a gis a( b) b8.\trill a16
+  %40
+  | a4.~ a4
+    \override Score.TextMark.self-alignment-X = #CENTER
+    \textEndMark \markup { \musicglyph "scripts.ufermata" }
   }
 }
 
@@ -34,24 +80,78 @@ Tenor = \context Voice = "three" \relative c {
   \voiceThree
   \stemUp\tieUp
   \override Rest.staff-position = #0
+  \mergeDifferentlyDottedOn
+  \partial 8 s8
   %1
+  | s1*6/8*15
+  | e,8 gis b e4
+  \partial 8 s8
+  | s1*6/8*23
+  | a,,8 cis e a4
 }
 
 Bass = \context Voice = "four" \relative c {
   \voiceFour
-  \stemDown\tieDown
+  \stemNeutral\tieNeutral\slurNeutral
   \override MultiMeasureRest.staff-position = #0
   \override Rest.staff-position = #0
+  \override Script.direction = #UP
   \repeat volta 2 {
   \partial 8 r8
   %1
-  | R1*15
-  | r4 r4 r8
+  | r4 e'8 a8 gis16 fis e d
+  | cis( d) d8.(\trill cis32 d) e8 d16( cis b a)
+  | gis( a) a8.(\trill gis32 a) b16 a gis e a gis
+  | fis d e8 e,16 e' a8 gis16 fis e d
+  %5
+  | cis( d) d8.(\trill cis32 d) e16 a, a' g fis e
+  | d( e) e8.(\trill d32 e) fis16 b, b' a gis fis
+  | e( fis) fis8.(\trill e32 fis) gis16 fis e fis gis e
+  | a b cis b a gis fis gis a gis a fis
+  | gis a b a gis fis e fis gis fis gis e
+  %10
+  | fis gis a gis fis e dis e fis e fis dis
+  | e( fis) fis\trill e32 fis gis16 a a\trill gis32 a b8[ b,]
+  | e, e'16 d! cis b a8 a8.\trill( gis32 a)
+  | b16 cis dis cis b a gis8_. gis8.\trill( fis32 gis)
+  | a16 b cis b a gis fis gis a gis fis e
+  %15
+  | dis8 b' cis a b b,
+  | \stemDown\tieDown e4.~ e4
   }
   \repeat volta 2 {
   \partial 8 r8
-  | R1*23
-  | r4 r4 r8
+  | \stemNeutral r4 r8 r4 e'8
+  | a,8 b16 cis d e d( e) e8.\trill( d32 e)
+  | fis8 e16 d cis b ais( b) b8.\trill( ais32 b)
+  %20
+  | cis16 fis, gis ais b cis d b fis'8 fis,
+  | b4 r8 r4 b'8
+  | e, fis16 g a b a( b) b8.\trill^\markup{ \tiny\natural }( a32 b)
+  | c16 b a g fis e dis( e) e8.\trill dis32 e
+  | fis16 b, cis dis e fis g e b'8\parenthesize\mordent b,
+  %25
+  | e, fis16 gis! a b a( b) b8.\trill( a32 b)
+  | cis16 a b cis d e d16( e) e8.\trill( d32 e)
+  | fis8. d16 b d gis,!8. e'16 gis e
+  | a8. e16 a, cis d,8. fis16 gis8~
+  | gis16 b cis8. e16 fis a b fis d b
+  %30
+  | e a gis fis e d cis d e d cis b
+  | a d cis b a g fis g a g fis e
+  | d fis g a b cis d e d cis b a
+  | gis e fis gis a b a( b) b8.\trill( a32 b)
+  | cis16 b a b cis a d cis b cis d b
+  %35
+  | e fis e d cis b cis d e8 e,
+  | a a'16( gis fis e) d8 d8.\trill( cis32 d)
+  | e16 fis gis fis e d cis8_. cis8.\trill( b32 cis)
+  | d16 e fis e d cis b cis d cis b a
+  | gis8 e' fis d e e,
+  %40
+  | \stemDown a,4.~ a4
+    \tweak direction #DOWN
+    \textEndMark \markup { \musicglyph "scripts.dfermata" }
   }
 }