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Publishing new template
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@rmichon
rmichon committed Oct 4, 2023
1 parent 816f645 commit 797f911
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28 changes: 14 additions & 14 deletions docs/css/paw.css
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Expand Up @@ -7,7 +7,7 @@ h1 {
margin-top: 5rem;
margin-bottom: 3rem;
font-size: 4rem;
color: #044138;
color: #141E46;
font-weight: regular;
font-family: 'Roboto Condensed', sans-serif;
}
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margin-top: 5rem;
font-size: 2.5rem;
font-weight: regular;
color: #044138;
color: #141E46;
font-family: 'Roboto Condensed', sans-serif;
}

h3 {
margin-top: 3rem;
font-weight: bold;
font-size: 1.5rem;
color: #044138;
color: #C70039;
font-family: 'Roboto Condensed', sans-serif;
}

h4 {
font-size: 1.25rem;
color: #044138;
color: #FFF5E0;
font-family: 'Roboto Condensed', sans-serif;

}

a{
color: #be7a7e;
color: #C70039;
}

.navbar{
background-color: #ffb5b9 !important;
background-color: #FF6969 !important;
}

.ping{
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margin-right: 3rem;
font-weight: bold;
font-size: 2rem;
color: #044138 !important;
color: #FFF5E0 !important;
font-family: 'Roboto Condensed', sans-serif;
}

.navbar-nav{
font-size: 1.5rem;
padding-left: 2.5rem;
border-left: 1px solid;
border-color: #044138;
border-color: #FFF5E0;
font-family: 'Roboto Condensed', sans-serif;
}

.nav-link{
color: #044138 !important;
color: #FFF5E0 !important;
padding-right: 0.8rem !important;
padding-left: 0.8rem !important;
}
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.dropdown-item{
color: #044138;
color: #FFF5E0;
}

.banner-h1{
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margin-top: 2rem;
bottom: 0;
width: 100%;
background-color: #044138 !important;
background-color: #141E46 !important;
color: white;
}

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}

.btn{
background-color: #ffb5b9 !important;
border-color: #ffb5b9 !important;
color: #044138 !important;
background-color: #FF6969 !important;
border-color: #FF6969 !important;
color: #FFF5E0 !important;
font-family: 'Roboto Condensed', sans-serif;
}

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24 changes: 14 additions & 10 deletions docs/index.html
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<div id="myCarousel" class="carousel slide" data-ride="carousel">
<div class="carousel-inner">
<div class="carousel-item active">
<img class="first-slide" src="img/banner.png" alt="First slide">
<img class="first-slide" src="img/banner.jpg" alt="First slide">
<div class="container">
<div class="carousel-caption">
<a style="font-size: 40px;" class="btn btn-lg btn-primary" href="https://forms.gle/ALfpkYEoC3GGpaWy9" role="button">Register!</a>
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<div class="container">
<h1 id="about"><b>PAW 2023</b><br><i>AI and Audio Programming Languages</i><br><small>Marie Curie Library, INSA Lyon (France)<br>Dec. 2, 2023</small></h1>

<p>The Programmable Audio Workshop (PAW) is a yearly one day FREE event gathering members of the programmable audio community around scientific talks and hands-on workshops. The 2023 edition of PAW is hosted by the <a href="https://team.inria.fr/emeraude">INRIA/INSA/GRAME-CNCM Emeraude Team</a> at the <a href="https://maps.app.goo.gl/k8NDxRkdSZZCmTG67">Marie Curie Library of INSA Lyon</a> (France) on December 2nd, 2023. The theme of this year's PAW is "Artificial Intelligence and Audio Programming Languages" with a strong focus on computer music languages (i.e., Faust, ChucK, and PureData).</p>
<p>The Programmable Audio Workshop (PAW) is a yearly one day FREE event gathering members of the programmable audio community around scientific talks and hands-on workshops. The 2023 edition of PAW is hosted by the <a href="https://team.inria.fr/emeraude">INRIA/INSA/GRAME-CNCM Emeraude Team</a> at the <a href="https://maps.app.goo.gl/k8NDxRkdSZZCmTG67">Marie Curie Library of INSA Lyon</a> (France) on December 2nd, 2023. The theme of this year's PAW is "Artificial Intelligence and Audio Programming Languages" with a strong focus on computer music languages (i.e., Faust, ChucK, and PureData). The main aim of PAW-23 is to give an overview of the various ways artificial intelligence is used and approached in the context of Domain Specific Languages (DSL) for real-time audio Digital Signal Processing (DSP).</p>

<p>Video recordings of presentations are now available on this website in the <a href="#program-details">Program Details Section</a>.</p>

<!--
<p>PAW is completely free, but the number of in-person seats is limited. If you wish to attend PAW in person, please, register as soon as possible at <a href="https://forms.gle/YjihJqL1cpPsWJ7X8">PAW 2022 REGISTRATION</a>. PAW will also be streamed and recorded. A streaming link will be posted on this website soon before the event (there's no need for you to register if you plan on attending PAW remotely).</p>
-->
<p>PAW is completely free, but the number of in-person seats is limited. If you wish to attend PAW in person, please, register as soon as possible at <a href="https://forms.gle/ALfpkYEoC3GGpaWy9">PAW 2023 REGISTRATION</a>. PAW will also be streamed and recorded. A streaming link will be posted on this website soon before the event (there's no need for you to register if you plan on attending PAW remotely).</p>

<hr>

Expand Down Expand Up @@ -278,7 +274,7 @@ <h2 id="betancur-talk"><b>11:20: </b><a href="#betancur">Celeste Betancur</a>

<h2 id="carre-talk"><b>12:00: </b><a href="#carre">Benoît Carré</a> — AI and Music Composition</h2>

<p>More details soon...</p>
<p>Artificial intelligence is useful in tools dedicated to the production of music, such as sound processing, the audio separation of instruments or virtual instruments like Inspired by Nature in Ableton Live. A.I. was in the news when musicians posted "fake Drake songs" online. Voice cloning technology is the latest, most visible and spectacular advance. But what are its limitations? Is A.I., already very powerful for voice generation, equally effective for composition? What does it lack to produce 8 really interesting bars from start to finish? What is the state of the art in text-2-music A.I.? What does it need to attract musicians en masse? And what about database annotation? What about the results it offers in the subsequent interaction? These are all questions I ask myself as I experiment with these tools. I'll share a few examples that illustrate my explorations, and we can discuss the limitations and potential they inspire.</p>

<br>
<hr>
Expand Down Expand Up @@ -307,15 +303,23 @@ <h2 id="braun">David Braun</h2>

<h2 id="puckette">Miller Puckette</h2>

<p>Soon...</p>
<p>More details soon...</p>

<h2 id="betancur">Celeste Betancur</h2>

<p>Celeste Betancur is a multi-instrumentalist musician with a professional degree in guitar from Berklee College of Music and a Master's in digital arts. She's currently working towards her PhD at the Center for Computer Research in Music and Acoustics (CCRMA) at Stanford University. She works at developing human-machine interfaces, especially designing programming tools and coding environments for musical expression. With these tools she performed live audiovisual sets around the world in more than 20 countries.</p>

<h2 id="carre">Benoît Carré</h2>

<p>Soon...</p>
<p>Benoit Carré, also known as SKYGGE, stands at the forefront of musicians who are exploring the creative possibilities of artificial intelligence (A.I.). Since 2015, he has been collaborating with research teams (Sony CSL, CTRL Spotify), assisting them in the development of A.I. prototypes specifically designed for musicians. His work serves as a bridge between innovation and the realm of pop music creation. His musical experiments with the prototypes give rise to artistic projects and new concepts, such as orchestrating a cappella folk songs from the American repertoire using a tool that is currently in the development phase.</p>

<p><b>2016:</b> "<a href="https://www.youtube.com/watch?v=LSHZ_b05W7o">Daddy’s Car</a>" a song composed with Flow Machines in the style of The Beatles<br>
<b>2018:</b> "Hello World" a collaborative album (including <a href="https://drive.google.com/file/d/12-QuZYojjLMLqwm5D-koV87MEcnNzozc/view?usp=share_linkicielx7WvWEcKYyAmU/view?usp=sharing">Stromae</a>) making SKYGGE one of the first artists to create pop music entirely using A.I. technologie.<br>
<b>2019:</b> "<a href="https://thequietus.com/articles/27142-benoit-carre-skygge-interview-american-folk-songs-artificial-intelligence">American Folk Song</a>," five a cappella folk songs orchestrated with A.I.<br>
<b>2022:</b> Benoit Carré, along with his partner Céline Garcia, co-founded the label Puppet Master. Under this label, his album "Melancholia" was released, and a live performance titled "<a href="https://www.skygge.fr/en/interface-poetry-en/">Interface Poetry</a>" was produced in collaboration with digital artists OYE.<br>
<b>2023:</b> Duo with Grimes A.I.<br>
<a href="https://linktr.ee/skyggemusic">https://linktr.ee/skyggemusic</a>
</p>

<h1 id="coming">Coming to PAW + Contact</h1>

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