diff --git a/exhibitions/0/102.json b/exhibitions/0/102.json index dffe0a680ad..777d7d6ec64 100644 --- a/exhibitions/0/102.json +++ b/exhibitions/0/102.json @@ -11,12 +11,5 @@ 2034, 9371 ], - "venues": [ - { - "venue": "Réunion Des Musées Nationaux", - "begin": 1997, - "end": 1998, - "display_date": "Wednesday, October 01, 1997 - Monday, June 01, 1998" - } - ] + "venues": [] } diff --git a/exhibitions/0/168.json b/exhibitions/0/168.json index e69de29bb2d..852a7dfbd09 100644 --- a/exhibitions/0/168.json +++ b/exhibitions/0/168.json @@ -0,0 +1,14 @@ +{ + "exhibition_id": 168, + "exhibition_department": null, + "exhibition_title": "Land Used", + "exhibition_description": null, + "begin": 1998, + "end": 1998, + "display_date": "Monday, January 12, 1998 - Thursday, March 19, 1998", + "public_info": null, + "objects": [ + 27973 + ], + "venues": [] +} diff --git a/exhibitions/0/3.json b/exhibitions/0/3.json index bd8b92c9d1d..319316acc76 100644 --- a/exhibitions/0/3.json +++ b/exhibitions/0/3.json @@ -36,5 +36,12 @@ 39555, 42450 ], - "venues": [] + "venues": [ + { + "venue": "Minneapolis Institute of Art", + "begin": 1994, + "end": 1994, + "display_date": "Saturday, April 30, 1994 - Sunday, July 31, 1994" + } + ] } diff --git a/exhibitions/0/321.json b/exhibitions/0/321.json index d438638ccda..e69de29bb2d 100644 --- a/exhibitions/0/321.json +++ b/exhibitions/0/321.json @@ -1,104 +0,0 @@ -{ - "exhibition_id": 321, - "exhibition_department": "Historic: Decorative Arts, Textiles & Sculpture", - "exhibition_title": "New England Hearth and Home | A Passion for the Past: The Collection of Bertram K. and Nina Fletcher Little at Cogswell's Grant, and Inherited and Collected: The Arts of New England in Minnesota", - "exhibition_description": "These complementary exhibitions explored Minnesota’s New England roots. “A Passion for the Past” showcased a remarkable collection of folk and fine art, including paintings, drawings, furniture, textiles, and ceramics. “Inherited and Collected” featured objects brought to Minnesota by early settlers and items collected today by Twin Citians.", - "begin": 1997, - "end": 1998, - "display_date": "Sunday, November 16, 1997 - Sunday, January 25, 1998", - "public_info": 0, - "objects": [ - 6451, - 6453, - 6454, - 6455, - 13197, - 38853, - 38854, - 38855, - 38856, - 38857, - 38858, - 38859, - 38860, - 38861, - 38862, - 38863, - 38864, - 38865, - 38875, - 38876, - 38877, - 38878, - 38879, - 38880, - 38881, - 38882, - 38883, - 38884, - 38885, - 38886, - 38887, - 38888, - 38889, - 38890, - 38891, - 38892, - 38893, - 38894, - 38895, - 38896, - 38897, - 38898, - 38899, - 38900, - 38913, - 38914, - 38915, - 38916, - 38917, - 38918, - 38919, - 38923, - 38995, - 38996, - 39096, - 39097, - 39100, - 39101, - 39102, - 39103, - 39104, - 39105, - 39106, - 39107, - 39108, - 39109, - 39110, - 39111, - 39112, - 39113, - 39114, - 39115, - 39116, - 39117, - 39118, - 39119, - 39120, - 39121, - 39122, - 39123, - 39124, - 39125, - 39131, - 39169 - ], - "venues": [ - { - "venue": "Minneapolis Institute of Art", - "begin": 1997, - "end": 1998, - "display_date": "Sunday, November 16, 1997 - Sunday, January 25, 1998" - } - ] -} diff --git a/exhibitions/0/397.json b/exhibitions/0/397.json index d386b849530..59565f42994 100644 --- a/exhibitions/0/397.json +++ b/exhibitions/0/397.json @@ -15,12 +15,5 @@ 42713, 42714 ], - "venues": [ - { - "venue": "Milwaukee Art Museum", - "begin": 1999, - "end": 1999, - "display_date": "Friday, February 19, 1999 - Thursday, June 10, 1999" - } - ] + "venues": [] } diff --git a/exhibitions/0/42.json b/exhibitions/0/42.json index 4623359dcea..e69de29bb2d 100644 --- a/exhibitions/0/42.json +++ b/exhibitions/0/42.json @@ -1,21 +0,0 @@ -{ - "exhibition_id": 42, - "exhibition_department": null, - "exhibition_title": "Daumier", - "exhibition_description": null, - "begin": 1999, - "end": 2000, - "display_date": "Monday, May 03, 1999 - Wednesday, May 17, 2000", - "public_info": null, - "objects": [ - 1241 - ], - "venues": [ - { - "venue": "National Gallery of Canada", - "begin": 1999, - "end": 2000, - "display_date": "Monday, May 03, 1999 - Wednesday, May 17, 2000" - } - ] -} diff --git a/exhibitions/0/433.json b/exhibitions/0/433.json index 29e76a40689..1c4f9ea7c0e 100644 --- a/exhibitions/0/433.json +++ b/exhibitions/0/433.json @@ -26,5 +26,12 @@ 45574, 45575 ], - "venues": [] + "venues": [ + { + "venue": "Minneapolis Institute of Art", + "begin": 2001, + "end": 2001, + "display_date": "Friday, March 09, 2001 - Sunday, May 06, 2001" + } + ] } diff --git a/exhibitions/0/467.json b/exhibitions/0/467.json index e69de29bb2d..006d025681e 100644 --- a/exhibitions/0/467.json +++ b/exhibitions/0/467.json @@ -0,0 +1,27 @@ +{ + "exhibition_id": 467, + "exhibition_department": "Historic: Decorative Arts, Textiles & Sculpture", + "exhibition_title": "Wood Turning in North American Since 1930", + "exhibition_description": null, + "begin": 2001, + "end": 2001, + "display_date": "Sunday, October 21, 2001 - Sunday, December 30, 2001", + "public_info": 0, + "objects": [ + 4651, + 57435, + 58005, + 58103, + 58174, + 58183, + 59519 + ], + "venues": [ + { + "venue": "Minneapolis Institute of Art", + "begin": 2001, + "end": 2001, + "display_date": "Sunday, October 21, 2001 - Sunday, December 30, 2001" + } + ] +} diff --git a/exhibitions/0/489.json b/exhibitions/0/489.json index ef20549c93f..0d92351dbab 100644 --- a/exhibitions/0/489.json +++ b/exhibitions/0/489.json @@ -193,5 +193,36 @@ 62148, 75996 ], - "venues": [] + "venues": [ + { + "venue": "Minneapolis Institute of Art", + "begin": 2002, + "end": 2004, + "display_date": "Saturday, October 26, 2002 - Sunday, January 11, 2004" + }, + { + "venue": "Musee Fabre - Do Not Use", + "begin": 2002, + "end": 2004, + "display_date": "Saturday, October 26, 2002 - Sunday, January 11, 2004" + }, + { + "venue": "Musée des Beaux-Arts de Lyon", + "begin": 2002, + "end": 2004, + "display_date": "Saturday, October 26, 2002 - Sunday, January 11, 2004" + }, + { + "venue": "Musée des Beaux-Arts de Rennes", + "begin": 2002, + "end": 2004, + "display_date": "Saturday, October 26, 2002 - Sunday, January 11, 2004" + }, + { + "venue": "Musée des Beaux-Arts de Rouen", + "begin": 2002, + "end": 2004, + "display_date": "Saturday, October 26, 2002 - Sunday, January 11, 2004" + } + ] } diff --git a/exhibitions/0/503.json b/exhibitions/0/503.json index 385c538689c..11a624e9212 100644 --- a/exhibitions/0/503.json +++ b/exhibitions/0/503.json @@ -10,5 +10,12 @@ "objects": [ 2725 ], - "venues": [] + "venues": [ + { + "venue": "Kunsthaus Zürich", + "begin": 2003, + "end": 2004, + "display_date": "Thursday, October 23, 2003 - Sunday, February 01, 2004" + } + ] } diff --git a/exhibitions/0/509.json b/exhibitions/0/509.json index 0fa5149fdd9..e69de29bb2d 100644 --- a/exhibitions/0/509.json +++ b/exhibitions/0/509.json @@ -1,21 +0,0 @@ -{ - "exhibition_id": 509, - "exhibition_department": null, - "exhibition_title": "Alfred Sisley", - "exhibition_description": null, - "begin": 2002, - "end": 2003, - "display_date": "Wednesday, October 09, 2002 - Monday, January 06, 2003", - "public_info": null, - "objects": [ - 61319 - ], - "venues": [ - { - "venue": "Musée des Beaux-Arts de Lyon", - "begin": 2002, - "end": 2003, - "display_date": "Wednesday, October 09, 2002 - Monday, January 06, 2003" - } - ] -} diff --git a/exhibitions/0/525.json b/exhibitions/0/525.json index b2de2d930f3..d0490fa01ea 100644 --- a/exhibitions/0/525.json +++ b/exhibitions/0/525.json @@ -59,5 +59,12 @@ 83605, 94865 ], - "venues": [] + "venues": [ + { + "venue": "Minneapolis Institute of Art", + "begin": 2004, + "end": 2004, + "display_date": "Saturday, March 06, 2004 - Sunday, July 11, 2004" + } + ] } diff --git a/exhibitions/0/544.json b/exhibitions/0/544.json index 89f23557d60..a34220af9f6 100644 --- a/exhibitions/0/544.json +++ b/exhibitions/0/544.json @@ -10,5 +10,18 @@ "objects": [ 1788 ], - "venues": [] + "venues": [ + { + "venue": "Galleria Civica d'Arte Moderna e Contemporanea di Torino", + "begin": 2004, + "end": 2004, + "display_date": "Friday, May 14, 2004 - Sunday, November 28, 2004" + }, + { + "venue": "Museo di Arte Moderna e Contemporanea di Trento e Rovereto", + "begin": 2004, + "end": 2004, + "display_date": "Friday, May 14, 2004 - Sunday, November 28, 2004" + } + ] } diff --git a/exhibitions/0/599.json b/exhibitions/0/599.json index 9872bd012c7..f20b268dca3 100644 --- a/exhibitions/0/599.json +++ b/exhibitions/0/599.json @@ -10,18 +10,5 @@ "objects": [ 2276 ], - "venues": [ - { - "venue": "Dahesh Museum of Art", - "begin": 2004, - "end": 2005, - "display_date": "Thursday, June 10, 2004 - Thursday, January 13, 2005" - }, - { - "venue": "Musée national des beaux-arts du Québec", - "begin": 2004, - "end": 2005, - "display_date": "Thursday, June 10, 2004 - Thursday, January 13, 2005" - } - ] + "venues": [] } diff --git a/exhibitions/0/61.json b/exhibitions/0/61.json index f51b5b70be9..0d0b44074da 100644 --- a/exhibitions/0/61.json +++ b/exhibitions/0/61.json @@ -10,12 +10,5 @@ "objects": [ 10457 ], - "venues": [ - { - "venue": "Archivio Afro", - "begin": 2000, - "end": 2001, - "display_date": "Saturday, January 01, 2000 - Thursday, March 01, 2001" - } - ] + "venues": [] } diff --git a/exhibitions/0/632.json b/exhibitions/0/632.json index 00cf98fa8db..e69de29bb2d 100644 --- a/exhibitions/0/632.json +++ b/exhibitions/0/632.json @@ -1,22 +0,0 @@ -{ - "exhibition_id": 632, - "exhibition_department": "Historic: Prints and Drawings", - "exhibition_title": "The French Portrait: Revolution to Restoration", - "exhibition_description": null, - "begin": 2005, - "end": 2005, - "display_date": "Friday, September 30, 2005 - Sunday, December 11, 2005", - "public_info": 0, - "objects": [ - 4496, - 10433 - ], - "venues": [ - { - "venue": "Smith College Museum of Art", - "begin": 2005, - "end": 2005, - "display_date": "Friday, September 30, 2005 - Sunday, December 11, 2005" - } - ] -} diff --git a/exhibitions/0/68.json b/exhibitions/0/68.json index 0e433d0932e..88307eea51e 100644 --- a/exhibitions/0/68.json +++ b/exhibitions/0/68.json @@ -10,5 +10,12 @@ "objects": [ 1375 ], - "venues": [] + "venues": [ + { + "venue": "Ministero Per I Beni Culturali E Ambientali", + "begin": 1999, + "end": 1999, + "display_date": "Monday, May 10, 1999 - Wednesday, September 22, 1999" + } + ] } diff --git a/exhibitions/0/747.json b/exhibitions/0/747.json index 0b00c2ad966..e69de29bb2d 100644 --- a/exhibitions/0/747.json +++ b/exhibitions/0/747.json @@ -1,99 +0,0 @@ -{ - "exhibition_id": 747, - "exhibition_department": "Historic: Decorative Arts, Textiles & Sculpture", - "exhibition_title": "Holiday Traditions: Bowls with Punch", - "exhibition_description": "Along with tea from China and chocolate from South America, an exotic beverage from India swept across the British Empire in the 17th and 18th centuries: punch. A concoction of spirits, citrus, spices, sugar, and water, punch was made in hundreds of variations on this basic recipe. From state dinners to tavern gatherings, it was the libation of choice for special occasions-particularly during the holidays. As it grew in popularity, so too did its specialized bowls, ladles, cups, glasses, and mugs made of ceramic, silver, or glass. The Institute will feature punch bowls from the 18th-20th centuries in the Bell Decorative Arts Court during this year’s Holiday Traditions exhibition, on view in the Period Rooms and at the Purcell-Cutts. Costumed docents will offer tours from Thanksgiving through New Year’s. ", - "begin": 2005, - "end": 2006, - "display_date": "Friday, November 25, 2005 - Sunday, January 08, 2006", - "public_info": 0, - "objects": [ - 51, - 241, - 712, - 4938, - 5233, - 5234, - 5235, - 5360, - 5361, - 8522, - 13018, - 13971, - 13972, - 13977, - 14869, - 15550, - 15586, - 18406, - 20838, - 21347, - 33275, - 33450, - 33451, - 33475, - 33485, - 33486, - 33487, - 33488, - 33490, - 33495, - 33496, - 33497, - 33499, - 33500, - 33501, - 33502, - 33503, - 33507, - 33512, - 33513, - 33516, - 33581, - 33637, - 40883, - 54371, - 60160, - 63160, - 63536, - 63537, - 63538, - 83524, - 83529, - 83530, - 83532, - 83533, - 94068, - 95817, - 95818, - 95827, - 95828, - 96692, - 96742, - 96762, - 96772, - 98638, - 98639, - 98640, - 98746, - 101340, - 101341, - 101342, - 101343, - 101344, - 101345, - 101346, - 101347, - 101348, - 101349, - 101357 - ], - "venues": [ - { - "venue": "Minneapolis Institute of Art", - "begin": 2005, - "end": 2006, - "display_date": "Friday, November 25, 2005 - Sunday, January 08, 2006" - } - ] -} diff --git a/exhibitions/0/781.json b/exhibitions/0/781.json index 489d5deb0f7..5fc0b6176ee 100644 --- a/exhibitions/0/781.json +++ b/exhibitions/0/781.json @@ -89,5 +89,12 @@ 100464, 101006 ], - "venues": [] + "venues": [ + { + "venue": "Minneapolis Institute of Art", + "begin": 2006, + "end": 2007, + "display_date": "Saturday, October 28, 2006 - Saturday, April 07, 2007" + } + ] } diff --git a/exhibitions/0/796.json b/exhibitions/0/796.json index 746b9dfe72e..e69de29bb2d 100644 --- a/exhibitions/0/796.json +++ b/exhibitions/0/796.json @@ -1,28 +0,0 @@ -{ - "exhibition_id": 796, - "exhibition_department": "Historic: Prints and Drawings", - "exhibition_title": "Art in the Age of Steam", - "exhibition_description": null, - "begin": 2008, - "end": 2009, - "display_date": "Friday, April 18, 2008 - Sunday, January 18, 2009", - "public_info": 0, - "objects": [ - 7158, - 7159 - ], - "venues": [ - { - "venue": "Nelson-Atkins Museum of Art", - "begin": 2008, - "end": 2009, - "display_date": "Friday, April 18, 2008 - Sunday, January 18, 2009" - }, - { - "venue": "Walker Art Gallery, National Museums Liverpool", - "begin": 2008, - "end": 2009, - "display_date": "Friday, April 18, 2008 - Sunday, January 18, 2009" - } - ] -} diff --git a/exhibitions/0/839.json b/exhibitions/0/839.json index 1bc854f25a2..ca3492b91be 100644 --- a/exhibitions/0/839.json +++ b/exhibitions/0/839.json @@ -38,5 +38,12 @@ 102822, 103215 ], - "venues": [] + "venues": [ + { + "venue": "Minneapolis Institute of Art", + "begin": 2007, + "end": 2007, + "display_date": "Saturday, June 30, 2007 - Sunday, December 09, 2007" + } + ] } diff --git a/exhibitions/0/850.json b/exhibitions/0/850.json index e69de29bb2d..cfcf7f9f143 100644 --- a/exhibitions/0/850.json +++ b/exhibitions/0/850.json @@ -0,0 +1,32 @@ +{ + "exhibition_id": 850, + "exhibition_department": "Historic: Prints and Drawings", + "exhibition_title": "Rapid Exposure: Warhol in Series", + "exhibition_description": null, + "begin": 2008, + "end": 2008, + "display_date": "Friday, March 14, 2008 - Sunday, June 15, 2008", + "public_info": 0, + "objects": [ + 7483, + 7801, + 8246, + 42605, + 67860, + 67861, + 67862, + 67863, + 67864, + 67865, + 67866, + 67867 + ], + "venues": [ + { + "venue": "Grand Rapids Art Museum", + "begin": 2008, + "end": 2008, + "display_date": "Friday, March 14, 2008 - Sunday, June 15, 2008" + } + ] +} diff --git a/exhibitions/0/903.json b/exhibitions/0/903.json index e69de29bb2d..72f853e7550 100644 --- a/exhibitions/0/903.json +++ b/exhibitions/0/903.json @@ -0,0 +1,14 @@ +{ + "exhibition_id": 903, + "exhibition_department": null, + "exhibition_title": "Abinadi Meza: Found Voice, Solo Museum", + "exhibition_description": null, + "begin": 2008, + "end": 2008, + "display_date": "Friday, April 04, 2008 - Sunday, May 25, 2008", + "public_info": null, + "objects": [ + 105748 + ], + "venues": [] +} diff --git a/exhibitions/0/912.json b/exhibitions/0/912.json index e3716828081..37bf33bdb1c 100644 --- a/exhibitions/0/912.json +++ b/exhibitions/0/912.json @@ -85,12 +85,5 @@ 106531, 106532 ], - "venues": [ - { - "venue": "Minneapolis Institute of Art", - "begin": 2009, - "end": 2009, - "display_date": "Saturday, February 21, 2009 - Sunday, August 23, 2009" - } - ] + "venues": [] } diff --git a/exhibitions/0/980.json b/exhibitions/0/980.json index 64350b5633c..64bd7db0c3b 100644 --- a/exhibitions/0/980.json +++ b/exhibitions/0/980.json @@ -148,5 +148,12 @@ 107037, 107038 ], - "venues": [] + "venues": [ + { + "venue": "Minneapolis Institute of Art", + "begin": 2009, + "end": 2009, + "display_date": "Sunday, February 22, 2009 - Sunday, May 03, 2009" + } + ] } diff --git a/exhibitions/0/984.json b/exhibitions/0/984.json index aee7b5d500e..1eb49e4461e 100644 --- a/exhibitions/0/984.json +++ b/exhibitions/0/984.json @@ -43,12 +43,5 @@ 106229, 106230 ], - "venues": [ - { - "venue": "Minneapolis Institute of Art", - "begin": 2008, - "end": 2008, - "display_date": "Saturday, June 28, 2008 - Sunday, December 07, 2008" - } - ] + "venues": [] } diff --git a/exhibitions/1/1031.json b/exhibitions/1/1031.json index 663cfe40e45..e69de29bb2d 100644 --- a/exhibitions/1/1031.json +++ b/exhibitions/1/1031.json @@ -1,21 +0,0 @@ -{ - "exhibition_id": 1031, - "exhibition_department": null, - "exhibition_title": "Passion in Venice: Crivelli to Tintoretto and Veronese", - "exhibition_description": null, - "begin": 2011, - "end": 2011, - "display_date": "Tuesday, February 15, 2011 - Wednesday, June 15, 2011", - "public_info": null, - "objects": [ - 1619 - ], - "venues": [ - { - "venue": "Museum of Biblical Art", - "begin": 2011, - "end": 2011, - "display_date": "Tuesday, February 15, 2011 - Wednesday, June 15, 2011" - } - ] -} diff --git a/exhibitions/1/1074.json b/exhibitions/1/1074.json index 12e116872fc..e69de29bb2d 100644 --- a/exhibitions/1/1074.json +++ b/exhibitions/1/1074.json @@ -1,22 +0,0 @@ -{ - "exhibition_id": 1074, - "exhibition_department": "Minnesota Artists Exhibition Program", - "exhibition_title": "“Scrap” by Michael Kareken", - "exhibition_description": "\r\nMichael Kareken latest body of work tackles the urban landscape, specifically the industrial recycling plants outside his studio window. His paintings are inspired by the never ending piles and constant movement of Rock-Tenn paper recycling plant and the American Iron metal scrap yard he finds metaphoric associations with life and death, growth and decay, order and entropy, structure and chaos. For the MAEP show, Kareken is creating these paintings on a grandiose scale, creating wall size vistas of these plants.\r\n\r\nTetsuya Yamada, on the other hand, works with the industrial landscape of production. Yamada’s work explores the intersection of ideas about the nature of art, craft, machine, and industry. Yamada now delves into the repetition and mundane activities of city life, specifically riding the train during his commutes in his native Tokyo. His installation will explore the way the human mind reacts to passive and repetitive acts, how our mind comes to accept the continuous rhythms of sights and sounds", - "begin": 2009, - "end": 2010, - "display_date": "Friday, November 20, 2009 - Sunday, January 24, 2010", - "public_info": 0, - "objects": [ - 108836, - 108837, - 108838, - 108839, - 108840, - 108841, - 108842, - 108843, - 108844 - ], - "venues": [] -} diff --git a/exhibitions/1/1096.json b/exhibitions/1/1096.json index 41da7ec7f36..0a53f00e3e1 100644 --- a/exhibitions/1/1096.json +++ b/exhibitions/1/1096.json @@ -22,12 +22,5 @@ 109111, 109112 ], - "venues": [ - { - "venue": "Minneapolis Institute of Art", - "begin": 2010, - "end": 2010, - "display_date": "Friday, February 19, 2010 - Sunday, August 08, 2010" - } - ] + "venues": [] } diff --git a/exhibitions/1/1103.json b/exhibitions/1/1103.json index ddd741fb550..5016cc8575c 100644 --- a/exhibitions/1/1103.json +++ b/exhibitions/1/1103.json @@ -10,24 +10,5 @@ "objects": [ 2241 ], - "venues": [ - { - "venue": "Davis Museum and Cultural Center", - "begin": 2011, - "end": 2012, - "display_date": "Sunday, June 05, 2011 - Sunday, May 13, 2012" - }, - { - "venue": "Katonah Museum of Art", - "begin": 2011, - "end": 2012, - "display_date": "Sunday, June 05, 2011 - Sunday, May 13, 2012" - }, - { - "venue": "Mint Museum of Art", - "begin": 2011, - "end": 2012, - "display_date": "Sunday, June 05, 2011 - Sunday, May 13, 2012" - } - ] + "venues": [] } diff --git a/exhibitions/1/1177.json b/exhibitions/1/1177.json index ff5e464475d..818d33d6b16 100644 --- a/exhibitions/1/1177.json +++ b/exhibitions/1/1177.json @@ -41,5 +41,12 @@ 48628, 54779 ], - "venues": [] + "venues": [ + { + "venue": "Minneapolis Institute of Art", + "begin": 2006, + "end": 2007, + "display_date": "Saturday, December 23, 2006 - Sunday, June 17, 2007" + } + ] } diff --git a/exhibitions/1/1205.json b/exhibitions/1/1205.json index e69de29bb2d..468d251c825 100644 --- a/exhibitions/1/1205.json +++ b/exhibitions/1/1205.json @@ -0,0 +1,86 @@ +{ + "exhibition_id": 1205, + "exhibition_department": "Historic: Prints and Drawings", + "exhibition_title": "Etchings by Jacques Callot", + "exhibition_description": "Jacques Callot (1592-1635), a native of Nancy, in the Duchy of Lorraine, ranks among the most productive and influential printmakers of the 17th century. He produced a body of 1,400 etchings, which led to his international acclaim. His imagery includes traditional religious themes, panoramic landscapes, costume portraits and caricatures. He was an innovative technician. ", + "begin": 2002, + "end": 2002, + "display_date": "Saturday, September 28, 2002 - Sunday, December 08, 2002", + "public_info": 0, + "objects": [ + 49030, + 49033, + 49034, + 49035, + 49036, + 49037, + 49038, + 49039, + 49040, + 49041, + 49042, + 49043, + 49044, + 49045, + 49046, + 49051, + 49053, + 49055, + 49056, + 49088, + 49089, + 49090, + 49092, + 49093, + 49095, + 49096, + 49098, + 49099, + 49101, + 49102, + 49104, + 49105, + 49107, + 49108, + 49110, + 49112, + 49113, + 49115, + 49117, + 49125, + 49126, + 54888, + 55511, + 55768, + 60239, + 60240, + 60241, + 60272, + 60273, + 60274, + 63123, + 63930, + 63938, + 63946, + 63947, + 63948, + 63949, + 63952, + 63953, + 63954, + 63955, + 63956, + 63957, + 63958, + 63959, + 63960 + ], + "venues": [ + { + "venue": "Minneapolis Institute of Art", + "begin": 2002, + "end": 2002, + "display_date": "Saturday, September 28, 2002 - Sunday, December 08, 2002" + } + ] +} diff --git a/exhibitions/1/1215.json b/exhibitions/1/1215.json index 122fd32b41f..e33f937e1aa 100644 --- a/exhibitions/1/1215.json +++ b/exhibitions/1/1215.json @@ -46,12 +46,5 @@ 65983, 65988 ], - "venues": [ - { - "venue": "Minneapolis Institute of Art", - "begin": 2006, - "end": 2006, - "display_date": "Saturday, May 20, 2006 - Sunday, December 10, 2006" - } - ] + "venues": [] } diff --git a/exhibitions/1/1260.json b/exhibitions/1/1260.json index 90002f41bf8..e69de29bb2d 100644 --- a/exhibitions/1/1260.json +++ b/exhibitions/1/1260.json @@ -1,14 +0,0 @@ -{ - "exhibition_id": 1260, - "exhibition_department": null, - "exhibition_title": "MCAD@MIA", - "exhibition_description": null, - "begin": 2011, - "end": 2011, - "display_date": "Thursday, March 17, 2011 - Sunday, June 26, 2011", - "public_info": null, - "objects": [ - 111703 - ], - "venues": [] -} diff --git a/exhibitions/1/1317.json b/exhibitions/1/1317.json index e69de29bb2d..4ed0199194a 100644 --- a/exhibitions/1/1317.json +++ b/exhibitions/1/1317.json @@ -0,0 +1,21 @@ +{ + "exhibition_id": 1317, + "exhibition_department": null, + "exhibition_title": "Picasso Black and White", + "exhibition_description": null, + "begin": 2013, + "end": 2013, + "display_date": "Wednesday, February 20, 2013 - Tuesday, May 28, 2013", + "public_info": null, + "objects": [ + 1517 + ], + "venues": [ + { + "venue": "Museum of Fine Arts, Houston", + "begin": 2013, + "end": 2013, + "display_date": "Wednesday, February 20, 2013 - Tuesday, May 28, 2013" + } + ] +} diff --git a/exhibitions/1/1355.json b/exhibitions/1/1355.json index 3f6e09c5357..c13fa122554 100644 --- a/exhibitions/1/1355.json +++ b/exhibitions/1/1355.json @@ -10,5 +10,12 @@ "objects": [ 18075 ], - "venues": [] + "venues": [ + { + "venue": "International Multifoods Corporation", + "begin": 1972, + "end": 1974, + "display_date": "Tuesday, August 01, 1972 - Wednesday, July 31, 1974" + } + ] } diff --git a/exhibitions/1/1392.json b/exhibitions/1/1392.json index d573f83e794..9b878dfd9f1 100644 --- a/exhibitions/1/1392.json +++ b/exhibitions/1/1392.json @@ -41,12 +41,5 @@ 67073, 80188 ], - "venues": [ - { - "venue": "Museum of Modern Art, New York", - "begin": 2012, - "end": 2012, - "display_date": "Sunday, July 29, 2012 - Monday, November 05, 2012" - } - ] + "venues": [] } diff --git a/exhibitions/1/1465.json b/exhibitions/1/1465.json index 513621f4263..28de9c9f60f 100644 --- a/exhibitions/1/1465.json +++ b/exhibitions/1/1465.json @@ -10,12 +10,5 @@ "objects": [ 17274 ], - "venues": [ - { - "venue": "Minneapolis Institute of Art", - "begin": 1946, - "end": 1946, - "display_date": "Friday, November 01, 1946 - Sunday, December 01, 1946" - } - ] + "venues": [] } diff --git a/exhibitions/1/1486.json b/exhibitions/1/1486.json index 9e7a65d0ad8..373bad3fab1 100644 --- a/exhibitions/1/1486.json +++ b/exhibitions/1/1486.json @@ -10,5 +10,12 @@ "objects": [ 17274 ], - "venues": [] + "venues": [ + { + "venue": "Detroit Lakes Public Library", + "begin": 1952, + "end": 1952, + "display_date": "Tuesday, October 28, 1952 - Monday, November 03, 1952" + } + ] } diff --git a/exhibitions/1/1514.json b/exhibitions/1/1514.json index 1b558928ca7..e69de29bb2d 100644 --- a/exhibitions/1/1514.json +++ b/exhibitions/1/1514.json @@ -1,14 +0,0 @@ -{ - "exhibition_id": 1514, - "exhibition_department": null, - "exhibition_title": "Bronze", - "exhibition_description": null, - "begin": 2012, - "end": 2012, - "display_date": "Saturday, September 15, 2012 - Sunday, December 09, 2012", - "public_info": null, - "objects": [ - 1278 - ], - "venues": [] -} diff --git a/exhibitions/1/1677.json b/exhibitions/1/1677.json index 6ed4d6fe4c4..e7e8aa344af 100644 --- a/exhibitions/1/1677.json +++ b/exhibitions/1/1677.json @@ -100,24 +100,5 @@ 123280, 123281 ], - "venues": [ - { - "venue": "Minneapolis Institute of Art", - "begin": 2015, - "end": 2015, - "display_date": "Sunday, June 21, 2015 - Sunday, August 30, 2015" - }, - { - "venue": "North Carolina Museum of Art", - "begin": 2015, - "end": 2015, - "display_date": "Sunday, June 21, 2015 - Sunday, August 30, 2015" - }, - { - "venue": "Phoenix Art Museum", - "begin": 2015, - "end": 2015, - "display_date": "Sunday, June 21, 2015 - Sunday, August 30, 2015" - } - ] + "venues": [] } diff --git a/exhibitions/1/1732.json b/exhibitions/1/1732.json index 4c97d0500f9..e69de29bb2d 100644 --- a/exhibitions/1/1732.json +++ b/exhibitions/1/1732.json @@ -1,12 +0,0 @@ -{ - "exhibition_id": 1732, - "exhibition_department": null, - "exhibition_title": "A Museum for Minneapolis: The 75th Anniversary of McKim, Mead and White's Minneapolis Institute of Arts", - "exhibition_description": null, - "begin": 1989, - "end": 1990, - "display_date": "Saturday, December 16, 1989 - Sunday, February 11, 1990", - "public_info": null, - "objects": [], - "venues": [] -} diff --git a/exhibitions/1/1782.json b/exhibitions/1/1782.json index e69de29bb2d..399ed52305d 100644 --- a/exhibitions/1/1782.json +++ b/exhibitions/1/1782.json @@ -0,0 +1,12 @@ +{ + "exhibition_id": 1782, + "exhibition_department": null, + "exhibition_title": "Art Works: The PaineWebber Collection of Contemporary Masters", + "exhibition_description": null, + "begin": 1996, + "end": 1996, + "display_date": "Sunday, June 30, 1996 - Sunday, September 15, 1996", + "public_info": null, + "objects": [], + "venues": [] +} diff --git a/exhibitions/1/1794.json b/exhibitions/1/1794.json index e69de29bb2d..0e9304b15b0 100644 --- a/exhibitions/1/1794.json +++ b/exhibitions/1/1794.json @@ -0,0 +1,12 @@ +{ + "exhibition_id": 1794, + "exhibition_department": null, + "exhibition_title": "Reflections of a New Era: Modernist Metalwork 1880-1940", + "exhibition_description": null, + "begin": 2000, + "end": 2001, + "display_date": "Tuesday, February 01, 2000 - Sunday, January 14, 2001", + "public_info": null, + "objects": [], + "venues": [] +} diff --git a/exhibitions/1/1817.json b/exhibitions/1/1817.json index b8f1f7cd9c7..236b9d80873 100644 --- a/exhibitions/1/1817.json +++ b/exhibitions/1/1817.json @@ -10,5 +10,12 @@ "objects": [ 1374 ], - "venues": [] + "venues": [ + { + "venue": "University of Minnesota Gallery, Minneapolis", + "begin": 1969, + "end": 1969, + "display_date": "Monday, June 23, 1969 - Saturday, August 23, 1969" + } + ] } diff --git a/exhibitions/1/1835.json b/exhibitions/1/1835.json index ad8ccb8bfee..e69de29bb2d 100644 --- a/exhibitions/1/1835.json +++ b/exhibitions/1/1835.json @@ -1,143 +0,0 @@ -{ - "exhibition_id": 1835, - "exhibition_department": "Historic: Japanese and Korean Art", - "exhibition_title": "The Audacious Eye: Japanese Art from the Clark Collections", - "exhibition_description": "This first-look exhibition of over 100 highlights from the Clark Collections, recently acquired by the MIA, offers unusually rich and personal insights into the scope of Japanese art and the nature of connoisseurship. Bill and Libby Clark amassed one of the world’s finest collections of Japanese art according to their own finely honed interests, instincts, and idiosyncrasies. Not trends. Not markets. Not a particular time, place, or medium. They collected what they liked—what drew their audacious eyes.\r\n\r\n \r\n\r\nThis exhibition hints at the stunning variety and bold taste that accorded the Clarks’ endeavor, begun in the late 1970s, a kind of legendary status. Tucked in the agricultural valley of central California, their collection grew from frequent trips to Japan, stoking their enthusiasm for Japanese aesthetics—their home is a blend of Japanese and California Arts and Crafts styles. The combined collection of the Clarks and the Clark Center for Japanese Art & Culture reached almost 1,700 objects, ranging across 10 centuries and from paintings to sculpture, ceramics to textiles, woodblock prints to works of bamboo. They include important examples from every school of painting in Japan since the 16th century and from some of its most acclaimed living artists, including 80 pieces by ceramist Fukami Sueharu—the largest assembly of his sleek bluish-white porcelain in the world.", - "begin": 2013, - "end": 2014, - "display_date": "Sunday, October 06, 2013 - Sunday, January 12, 2014", - "public_info": 0, - "objects": [ - 116725, - 116738, - 116749, - 116774, - 116788, - 116865, - 116866, - 116877, - 116883, - 116888, - 116893, - 116914, - 116915, - 116973, - 116985, - 117025, - 117044, - 117053, - 117092, - 117093, - 117095, - 117106, - 117114, - 117116, - 117141, - 117152, - 117153, - 117157, - 117158, - 117159, - 117161, - 117162, - 117166, - 117168, - 117173, - 117174, - 117177, - 117178, - 117179, - 117187, - 117190, - 117191, - 117192, - 117193, - 117194, - 117196, - 117197, - 117206, - 117238, - 117239, - 117240, - 117262, - 117273, - 117284, - 117295, - 117306, - 117348, - 117360, - 117385, - 117388, - 117396, - 117418, - 117430, - 117436, - 117476, - 117498, - 117499, - 117510, - 117555, - 117584, - 117607, - 117762, - 117804, - 117805, - 117849, - 117850, - 117995, - 118095, - 118099, - 118129, - 118140, - 118151, - 118214, - 118215, - 118216, - 118218, - 118219, - 118222, - 118223, - 118224, - 118226, - 118232, - 118233, - 118234, - 118236, - 118239, - 118242, - 118244, - 118272, - 118273, - 118280, - 118346, - 118347, - 118356, - 118357, - 118388, - 118389, - 118402, - 118412, - 118425, - 118430, - 118432, - 118436, - 118455, - 118456, - 118457, - 118458, - 118463, - 118468, - 118474, - 118478, - 118482, - 118501 - ], - "venues": [ - { - "venue": "Minneapolis Institute of Art", - "begin": 2013, - "end": 2014, - "display_date": "Sunday, October 06, 2013 - Sunday, January 12, 2014" - } - ] -} diff --git a/exhibitions/1/1870.json b/exhibitions/1/1870.json index 5a325d4ecee..8d07156fa94 100644 --- a/exhibitions/1/1870.json +++ b/exhibitions/1/1870.json @@ -53,5 +53,12 @@ 123100, 123101 ], - "venues": [] + "venues": [ + { + "venue": "Schirn Kunsthalle Frankfurt", + "begin": 1990, + "end": 1990, + "display_date": "Sunday, September 16, 1990 - Sunday, November 18, 1990" + } + ] } diff --git a/exhibitions/1/1898.json b/exhibitions/1/1898.json index b82256f3f3e..9b48bd4e14a 100644 --- a/exhibitions/1/1898.json +++ b/exhibitions/1/1898.json @@ -86,5 +86,12 @@ 103739, 103740 ], - "venues": [] + "venues": [ + { + "venue": "Minneapolis Institute of Art", + "begin": 2010, + "end": 2010, + "display_date": "Friday, March 19, 2010 - Sunday, May 30, 2010" + } + ] } diff --git a/exhibitions/2/2009.json b/exhibitions/2/2009.json index 0ce272720ad..e69de29bb2d 100644 --- a/exhibitions/2/2009.json +++ b/exhibitions/2/2009.json @@ -1,12 +0,0 @@ -{ - "exhibition_id": 2009, - "exhibition_department": null, - "exhibition_title": "Léger's 'Le Grand Déjeuner': A Masterpiece from the Museum of Modern Art", - "exhibition_description": null, - "begin": 1980, - "end": 1980, - "display_date": "Thursday, April 10, 1980 - Sunday, June 01, 1980", - "public_info": null, - "objects": [], - "venues": [] -} diff --git a/exhibitions/2/2223.json b/exhibitions/2/2223.json index 3fd6c8fd40c..e69de29bb2d 100644 --- a/exhibitions/2/2223.json +++ b/exhibitions/2/2223.json @@ -1,12 +0,0 @@ -{ - "exhibition_id": 2223, - "exhibition_department": null, - "exhibition_title": "Three Portfolios: Arbus, Avedon, and Selkirk", - "exhibition_description": null, - "begin": 1993, - "end": 1993, - "display_date": "Saturday, July 24, 1993 - Sunday, October 03, 1993", - "public_info": null, - "objects": [], - "venues": [] -} diff --git a/exhibitions/2/2266.json b/exhibitions/2/2266.json index 7ab89c31b81..6075fa2720d 100644 --- a/exhibitions/2/2266.json +++ b/exhibitions/2/2266.json @@ -29,5 +29,12 @@ 119344, 121313 ], - "venues": [] + "venues": [ + { + "venue": "Minneapolis Institute of Art", + "begin": 2015, + "end": 2016, + "display_date": "Saturday, August 01, 2015 - Sunday, March 27, 2016" + } + ] } diff --git a/exhibitions/2/2345.json b/exhibitions/2/2345.json index e69de29bb2d..4ce79e11029 100644 --- a/exhibitions/2/2345.json +++ b/exhibitions/2/2345.json @@ -0,0 +1,22 @@ +{ + "exhibition_id": 2345, + "exhibition_department": "Historic: Art of Africa and the Americas", + "exhibition_title": "The Fierce and the Fancy: Urban Masks from Sierra Leone", + "exhibition_description": "Some masks are meant to be fierce. With their horns and animal heads, they evoke the rituals of hunting societies. Other masks, with their pleasing features and colorful cloth, are meant to be fancy. These awe-inspiring, unconventional masks dance in the streets of Freetown, a major port city and the capital of Sierra Leone. They belong to the members of local youth associations—the urban successors to social groups that originated among freed and resettled African captives in the 1800s—who wear them to entertain during weddings and public holidays.\r\nThe masks reveal this eclectic legacy, borrowing from various masking traditions and exhibiting a multitude of ethnic and religious influences. Whether fierce or fancy, these modern masks are like stylistic collages, celebrating the continuous reinvention of traditional art.", + "begin": 2016, + "end": 2016, + "display_date": "Tuesday, March 29, 2016 - Sunday, November 20, 2016", + "public_info": 0, + "objects": [ + 124359, + 124360, + 124361, + 124362, + 124363, + 124364, + 124365, + 124366, + 124720 + ], + "venues": [] +} diff --git a/exhibitions/2/2366.json b/exhibitions/2/2366.json index d752069faf4..e69de29bb2d 100644 --- a/exhibitions/2/2366.json +++ b/exhibitions/2/2366.json @@ -1,12 +0,0 @@ -{ - "exhibition_id": 2366, - "exhibition_department": null, - "exhibition_title": "Beyond Egypt: Exotic Art in the West", - "exhibition_description": null, - "begin": 2002, - "end": 2003, - "display_date": "Friday, November 22, 2002 - Sunday, March 16, 2003", - "public_info": null, - "objects": [], - "venues": [] -} diff --git a/exhibitions/2/2385.json b/exhibitions/2/2385.json index e69de29bb2d..66e93c35055 100644 --- a/exhibitions/2/2385.json +++ b/exhibitions/2/2385.json @@ -0,0 +1,12 @@ +{ + "exhibition_id": 2385, + "exhibition_department": null, + "exhibition_title": "Living Rooms | The American Period Rooms: Inside/Out", + "exhibition_description": null, + "begin": 2016, + "end": 2016, + "display_date": "Saturday, April 02, 2016 - Sunday, October 30, 2016", + "public_info": null, + "objects": [], + "venues": [] +} diff --git a/exhibitions/2/2388.json b/exhibitions/2/2388.json index e69de29bb2d..be2a3d95000 100644 --- a/exhibitions/2/2388.json +++ b/exhibitions/2/2388.json @@ -0,0 +1,21 @@ +{ + "exhibition_id": 2388, + "exhibition_department": "Minnesota Artists Exhibition Program", + "exhibition_title": "Rose Sexton", + "exhibition_description": "Sexton is proposing to create a site-specific installation involving two primary spatial components in the MAEP gallery. In doing so, she hopes to reveal something about the nature of the void by not only making its walls pliable, but allowing them to succumb to superficiality and artifice as well. By diverting the boundaries of a space, Sexton enables us to mistrust artifice and seek what exists when the seams surrounding us become malleable to our perceptions. Places become like people, with walls that are permeable, fallible, sometimes scarred, yet, deep within lies the perfect ideology of geometry and nature.", + "begin": 2016, + "end": 2016, + "display_date": "Thursday, April 21, 2016 - Sunday, July 03, 2016", + "public_info": 0, + "objects": [ + 125007, + 125008, + 125009, + 125010, + 125011, + 125019, + 125020, + 125021 + ], + "venues": [] +} diff --git a/exhibitions/2/2425.json b/exhibitions/2/2425.json index c46ba416525..dbb8fbb5ba7 100644 --- a/exhibitions/2/2425.json +++ b/exhibitions/2/2425.json @@ -10,12 +10,5 @@ "objects": [ 117143 ], - "venues": [ - { - "venue": "Gallery Natsuka", - "begin": 2000, - "end": 2000, - "display_date": "Monday, June 12, 2000 - Saturday, July 01, 2000" - } - ] + "venues": [] } diff --git a/exhibitions/2/2513.json b/exhibitions/2/2513.json index 6b55550ee1c..1a8ac29acbe 100644 --- a/exhibitions/2/2513.json +++ b/exhibitions/2/2513.json @@ -11,5 +11,12 @@ 23172, 109582 ], - "venues": [] + "venues": [ + { + "venue": "San Diego Museum of Art", + "begin": 2019, + "end": 2019, + "display_date": "Saturday, May 18, 2019 - Monday, September 02, 2019" + } + ] } diff --git a/exhibitions/2/2688.json b/exhibitions/2/2688.json index e69de29bb2d..2e1c22fa870 100644 --- a/exhibitions/2/2688.json +++ b/exhibitions/2/2688.json @@ -0,0 +1,72 @@ +{ + "exhibition_id": 2688, + "exhibition_department": "Historic: Photography & New Media", + "exhibition_title": "Harry Drake: A Legacy in Photography", + "exhibition_description": "Few individuals have had as great an impact on Mia’s photography collection as Harry McClurg Drake. A dedicated philanthropist, Drake applied his humor, energy, and expansive intellect to collecting original works by internationally acclaimed photographers, including Ansel Adams, Henri Cartier-Bresson, Andre Kertesz, Irving Penn, Paul Strand, and Minor White. As a member of Mia’s Board of Directors, the St. Paul native relished opportunities to fortify Mia’s collection of modern photographs; when he died in 2012, his generous bequest to Mia included a collection of over 600 photographs. The striking portraits, landscapes, still lifes, and conceptual photographs selected for this exhibition illuminate the breadth of Drake’s remarkable gift to Mia.", + "begin": 2019, + "end": 2019, + "display_date": "Saturday, January 26, 2019 - Sunday, March 31, 2019", + "public_info": 0, + "objects": [ + 38161, + 38167, + 38171, + 38174, + 38176, + 38190, + 38213, + 38228, + 38229, + 107344, + 107369, + 107376, + 114867, + 114904, + 114988, + 115213, + 115243, + 115314, + 115327, + 115382, + 115456, + 115470, + 115515, + 115522, + 115523, + 115524, + 115531, + 115553, + 115591, + 115594, + 115595, + 115597, + 115636, + 115642, + 115648, + 115649, + 115655, + 115700, + 115701, + 115702, + 115705, + 115706, + 115707, + 115708, + 115768, + 115778, + 115782, + 115825, + 115874, + 115938, + 115970, + 115987 + ], + "venues": [ + { + "venue": "Minneapolis Institute of Art", + "begin": 2019, + "end": 2019, + "display_date": "Saturday, January 26, 2019 - Sunday, March 31, 2019" + } + ] +} diff --git a/exhibitions/2/2702.json b/exhibitions/2/2702.json index e69de29bb2d..96097e472fe 100644 --- a/exhibitions/2/2702.json +++ b/exhibitions/2/2702.json @@ -0,0 +1,33 @@ +{ + "exhibition_id": 2702, + "exhibition_department": "(not assigned)", + "exhibition_title": "Natural Forces: Winslow Homer and Frederic Remington", + "exhibition_description": null, + "begin": 2020, + "end": 2021, + "display_date": "Sunday, March 15, 2020 - Sunday, February 28, 2021", + "public_info": 0, + "objects": [ + 120525 + ], + "venues": [ + { + "venue": "Amon Carter Museum of American Art", + "begin": 2020, + "end": 2021, + "display_date": "Sunday, March 15, 2020 - Sunday, February 28, 2021" + }, + { + "venue": "Denver Art Museum", + "begin": 2020, + "end": 2021, + "display_date": "Sunday, March 15, 2020 - Sunday, February 28, 2021" + }, + { + "venue": "Portland Museum of Art", + "begin": 2020, + "end": 2021, + "display_date": "Sunday, March 15, 2020 - Sunday, February 28, 2021" + } + ] +} diff --git a/exhibitions/2/2711.json b/exhibitions/2/2711.json index 9cdc7ad80f6..e69de29bb2d 100644 --- a/exhibitions/2/2711.json +++ b/exhibitions/2/2711.json @@ -1,14 +0,0 @@ -{ - "exhibition_id": 2711, - "exhibition_department": null, - "exhibition_title": "The Eternal Feast: Banqueting in 10th-14th century Chinese Art", - "exhibition_description": null, - "begin": 2019, - "end": 2020, - "display_date": "Saturday, October 19, 2019 - Sunday, February 16, 2020", - "public_info": null, - "objects": [ - 868 - ], - "venues": [] -} diff --git a/exhibitions/2/2721.json b/exhibitions/2/2721.json index 8943ed31b8e..93bae780cde 100644 --- a/exhibitions/2/2721.json +++ b/exhibitions/2/2721.json @@ -10,5 +10,12 @@ "objects": [ 128239 ], - "venues": [] + "venues": [ + { + "venue": "Knoxville Museum of Art", + "begin": 2020, + "end": 2020, + "display_date": "Friday, February 07, 2020 - Sunday, October 25, 2020" + } + ] } diff --git a/exhibitions/2/2881.json b/exhibitions/2/2881.json index e69de29bb2d..16f37d5f111 100644 --- a/exhibitions/2/2881.json +++ b/exhibitions/2/2881.json @@ -0,0 +1,21 @@ +{ + "exhibition_id": 2881, + "exhibition_department": null, + "exhibition_title": "The Collector Curt Glaser. From Champion of Modernsim to Refugee", + "exhibition_description": null, + "begin": 2022, + "end": 2023, + "display_date": "Saturday, October 22, 2022 - Sunday, February 12, 2023", + "public_info": null, + "objects": [ + 1162 + ], + "venues": [ + { + "venue": "Kunstmuseum Basel", + "begin": 2022, + "end": 2023, + "display_date": "Saturday, October 22, 2022 - Sunday, February 12, 2023" + } + ] +} diff --git a/exhibitions/2/2935.json b/exhibitions/2/2935.json index f19935fb2bd..e69de29bb2d 100644 --- a/exhibitions/2/2935.json +++ b/exhibitions/2/2935.json @@ -1,33 +0,0 @@ -{ - "exhibition_id": 2935, - "exhibition_department": "(not assigned)", - "exhibition_title": "Joseph Stella: Visionary Nature", - "exhibition_description": null, - "begin": 2022, - "end": 2023, - "display_date": "Saturday, October 1, 2022 - Sunday, September 24, 2023", - "public_info": 0, - "objects": [ - 120566 - ], - "venues": [ - { - "venue": "Brandywine River Museum of Art", - "begin": 2022, - "end": 2023, - "display_date": "Saturday, October 1, 2022 - Sunday, September 24, 2023" - }, - { - "venue": "High Museum of Art", - "begin": 2022, - "end": 2023, - "display_date": "Saturday, October 1, 2022 - Sunday, September 24, 2023" - }, - { - "venue": "Norton Museum of Art", - "begin": 2022, - "end": 2023, - "display_date": "Saturday, October 1, 2022 - Sunday, September 24, 2023" - } - ] -} diff --git a/exhibitions/2/2964.json b/exhibitions/2/2964.json index 355de409a03..7c647de32e2 100644 --- a/exhibitions/2/2964.json +++ b/exhibitions/2/2964.json @@ -1,7 +1,7 @@ { "exhibition_id": 2964, "exhibition_department": "Global Contemporary Art", - "exhibition_title": "Native Photography", + "exhibition_title": "In Our Hands: Native Photography, 1890-now", "exhibition_description": null, "begin": 2023, "end": 2024, diff --git a/exhibitions/2/2980.json b/exhibitions/2/2980.json index b10b4bb1f2b..7cddeab2f9a 100644 --- a/exhibitions/2/2980.json +++ b/exhibitions/2/2980.json @@ -74,5 +74,12 @@ 34042, 34044 ], - "venues": [] + "venues": [ + { + "venue": "The J. Paul Getty Museum", + "begin": 2023, + "end": 2023, + "display_date": "Tuesday, August 22, 2023 - Sunday, November 26, 2023" + } + ] } diff --git a/objects/0/.json b/objects/0/.json new file mode 100644 index 00000000000..e69de29bb2d diff --git a/objects/1/1672.json b/objects/1/1672.json index d73ce021fd7..165efcb9864 100644 --- a/objects/1/1672.json +++ b/objects/1/1672.json @@ -29,7 +29,7 @@ "restricted": 0, "rights_type": "Public Domain", "role": "Artist", - "room": "Not on View", + "room": "G308", "see_also": [ "" ], diff --git a/objects/103/103205.json b/objects/103/103205.json index b8ed409cccd..864ab11b528 100644 --- a/objects/103/103205.json +++ b/objects/103/103205.json @@ -9,7 +9,7 @@ "creditline": "Gift of Gabriel P. and Yvonne M.L. Weisberg", "culture": null, "curator_approved": 0, - "dated": "late 19th-early 20th century", + "dated": "late 19th–early 20th century", "department": "European Art", "description": "cat. 23; old man with large hat, seated and looking to L; no background; beige paper; tan-grey mat; simple black stained wood frame", "dimension": "18 11/16 × 21 1/2 in. (47.5 × 54.6 cm)", diff --git a/objects/107/107120.json b/objects/107/107120.json index 9671e63b669..cef9e86b8aa 100644 --- a/objects/107/107120.json +++ b/objects/107/107120.json @@ -18,14 +18,14 @@ "image_copyright": "© Camille J. Gage", "image_height": 4539, "image_width": 3416, - "inscription": "Signature, Title, Date and Edition", - "life_date": "American, born 1956", - "markings": "see Signed", - "medium": "Intaglio", + "inscription": "", + "life_date": "American, 1956 - 2022", + "markings": "", + "medium": "Intaglio on paper", "nationality": "American", "object_name": "Print", - "portfolio": "From From \"Intimate Immensity\" portfolio", - "provenance": "Form + Content Gallery, Minneapolis (publisher); gifted to Mia, 2009", + "portfolio": "From \"Intimate Immensity\" portfolio", + "provenance": "Form + Content Gallery, Minneapolis (publisher); given to MIA, 2009.", "restricted": 1, "rights_type": "In Copyright", "role": "Artist", @@ -33,7 +33,7 @@ "see_also": [ "" ], - "signed": "below image, in pencil: [19/25 A Dream Once Lost Gage 07]", + "signed": "below image, in pencil: 19/25 A Dream Once Lost Gage 07", "style": "21st century", "text": "This print is part of the portfolio \"Intimate Immensity,\" published in 2007 by the Minneapolis-based artist cooperative Form + Content. This limited edition portolio features 14 original prints by 15 established Minnesota artists, including work by such prominent printmakers as Fred Hagstrom, Faye Passow, Jil Evans, Camille Gage, and Jody Williams. \r\n\r\nTo provide a consistent thematic context for the portfolio, artists were asked to find inspiration for their work in the various ideas and theoretical concepts expressed in Gaston Bachelard's seminal book on architecture, \"The Poetics of Space.\" \"Intimate Immensity\" is the title of the eighth chapter of Bachelard's treatise, in which the French philosopher explores the phenomenology of architectural space, arguing that architects should routinely consider how their work would affect those who experience it, rather than relying solely on preconceived theoretical motivations. Published in 1958, Bachelard's book has been an inspiration for artists who seek to create intimate space on a two-dimensional picture plane.", "title": "A Dream Once Lost, from \"Intimate Immensity\"" diff --git a/objects/107/107727.json b/objects/107/107727.json index 289c51ff75f..22e4adea490 100644 --- a/objects/107/107727.json +++ b/objects/107/107727.json @@ -10,7 +10,7 @@ "culture": null, "curator_approved": 0, "dated": "1797-1831", - "department": "Prints and Drawings", + "department": "European Art", "description": "", "dimension": "7 1/2 x 4 9/16 in. (19.05 x 11.59 cm) (sheet)", "id": "http://api.artsmia.org/objects/107727", diff --git a/objects/107/107728.json b/objects/107/107728.json index be7e8413f58..ffc4067733a 100644 --- a/objects/107/107728.json +++ b/objects/107/107728.json @@ -10,7 +10,7 @@ "culture": null, "curator_approved": 0, "dated": "1797-1831", - "department": "Prints and Drawings", + "department": "European Art", "description": "", "dimension": "7 1/2 x 4 9/16 in. (19.05 x 11.59 cm) (sheet)", "id": "http://api.artsmia.org/objects/107728", diff --git a/objects/107/107729.json b/objects/107/107729.json index f75645cd7dc..cac71775c35 100644 --- a/objects/107/107729.json +++ b/objects/107/107729.json @@ -10,7 +10,7 @@ "culture": null, "curator_approved": 0, "dated": "1797-1831", - "department": "Prints and Drawings", + "department": "European Art", "description": "", "dimension": "7 1/2 x 4 9/16 in. (19.05 x 11.59 cm) (sheet)", "id": "http://api.artsmia.org/objects/107729", diff --git a/objects/107/107730.json b/objects/107/107730.json index 4352ef08d1b..9b8012abfe9 100644 --- a/objects/107/107730.json +++ b/objects/107/107730.json @@ -10,7 +10,7 @@ "culture": null, "curator_approved": 0, "dated": "1797-1831", - "department": "Prints and Drawings", + "department": "European Art", "description": "", "dimension": "7 1/2 x 4 9/16 in. (19.05 x 11.59 cm) (sheet)", "id": "http://api.artsmia.org/objects/107730", diff --git a/objects/110/110973.json b/objects/110/110973.json index 5819763ee01..e1918abf61a 100644 --- a/objects/110/110973.json +++ b/objects/110/110973.json @@ -29,12 +29,12 @@ "restricted": 0, "rights_type": "Public Domain", "role": "Artist", - "room": "G310", + "room": "G308", "see_also": [ "" ], "signed": "", "style": "18th century", - "text": "Ponsonelli presents a vision of the Virgin Mary floating on clouds, one foot placed firmly on the crescent moon, the other on a dragon (symbol of the devil). The Immaculate Madonna was a popular subject with Baroque painters. Like other artists, Ponsonelli ramped up the drama by showing Mary’s clothes in tumultuous movement, her wind-whipped drapery a masterly rendering in marble. The foremost sculptor in Genoa in the early 1700s, Ponsonelli worked for patrons all over Europe, and his biographer notes that he even sent sculptures to Latin America.", + "text": "Ponsonelli presents a vision of the Virgin Mary floating on clouds, one foot placed firmly on the crescent moon, the other on a dragon (symbol of the devil). The iconography represents the Immaculate Madonna, referring to the Catholic doctrine that Mary was born without sin, like her son Jesus. Ponsonelli ramped up the drama by showing Mary’s clothes in tumultuous movement, her wind-whipped drapery a masterly rendering in marble. The foremost sculptor in Genoa in the early 1700s, Ponsonelli worked for patrons all over Europe, and some of his sculptures were reportedly sent to Latin America.", "title": "Immaculate Madonna" } diff --git a/objects/12/12252.json b/objects/12/12252.json index 2c4c1f42a04..80e0b130560 100644 --- a/objects/12/12252.json +++ b/objects/12/12252.json @@ -1,7 +1,7 @@ { "accession_number": "14.10", "art_champions_text": null, - "artist": "Artist: Théophile-Alexandre Steinlen", + "artist": "Artist: Théophile Alexandre Steinlen", "catalogue_raissonne": null, "classification": " Drawings", "continent": "Europe", @@ -19,7 +19,7 @@ "image_height": 3744, "image_width": 4789, "inscription": "Signature", - "life_date": "French (born Switzerland), 1859–1923", + "life_date": "French (born Switzerland), Lausanne 1859– Paris 1923", "markings": "", "medium": "Crayon on paper", "nationality": "French", diff --git a/objects/120/120322.json b/objects/120/120322.json index 0ad26d4b5a9..a856f2c5280 100644 --- a/objects/120/120322.json +++ b/objects/120/120322.json @@ -1,7 +1,7 @@ { "accession_number": "2014.127.15", "art_champions_text": null, - "artist": "Artist: Théophile-Alexandre Steinlen", + "artist": "Artist: Théophile Alexandre Steinlen", "catalogue_raissonne": null, "classification": " Prints", "continent": "Europe", @@ -19,7 +19,7 @@ "image_height": 8574, "image_width": 7690, "inscription": "Signature", - "life_date": "French (born Switzerland), 1859–1923", + "life_date": "French (born Switzerland), Lausanne 1859– Paris 1923", "markings": "", "medium": "Color lithograph", "nationality": "French", diff --git a/objects/120/120335.json b/objects/120/120335.json index 8c096378bda..efa1d8ea8cf 100644 --- a/objects/120/120335.json +++ b/objects/120/120335.json @@ -1,7 +1,7 @@ { "accession_number": "2014.127.14", "art_champions_text": null, - "artist": "Artist: Théophile-Alexandre Steinlen", + "artist": "Artist: Théophile Alexandre Steinlen", "catalogue_raissonne": null, "classification": " Prints", "continent": "Europe", @@ -19,7 +19,7 @@ "image_height": 8627, "image_width": 5647, "inscription": "Signature", - "life_date": "French (born Switzerland), 1859–1923", + "life_date": "French (born Switzerland), Lausanne 1859– Paris 1923", "markings": "", "medium": "Lithograph", "nationality": "French", diff --git a/objects/134/134593.json b/objects/134/134593.json index 73159bd0d83..37dd55c47d1 100644 --- a/objects/134/134593.json +++ b/objects/134/134593.json @@ -11,7 +11,7 @@ "curator_approved": 0, "dated": "2010", "department": "Global Contemporary Art", - "description": "Perfect bound volue, text, designs, and illustration of a red-toned hawk; 176 pp.", + "description": "Perfect bound volume, text, designs, and illustration of a red-toned hawk; 176 pp.", "dimension": "8 1/4 × 5 3/8 × 1/2 in. (21 × 13.7 × 1.3 cm) (closed)", "id": "http://api.artsmia.org/objects/134593", "image": "valid", diff --git a/objects/136/136913.json b/objects/136/136913.json index 077c29199c1..f98c614e760 100644 --- a/objects/136/136913.json +++ b/objects/136/136913.json @@ -1,7 +1,7 @@ { "accession_number": "2019.147.14", "art_champions_text": null, - "artist": "Artist: Théophile-Alexandre Steinlen", + "artist": "Artist: Théophile Alexandre Steinlen", "catalogue_raissonne": null, "classification": " Prints", "continent": null, @@ -19,7 +19,7 @@ "image_height": 6393, "image_width": 4606, "inscription": "", - "life_date": "French (born Switzerland), 1859–1923", + "life_date": "French (born Switzerland), Lausanne 1859– Paris 1923", "markings": "", "medium": "Lithograph in black over fawn tint on off-white paper", "nationality": "French", diff --git a/objects/137/137815.json b/objects/137/137815.json index 7ce35e9e39b..bb880ba5d9c 100644 --- a/objects/137/137815.json +++ b/objects/137/137815.json @@ -21,11 +21,11 @@ "inscription": "", "life_date": "American (born Japan), born 1979", "markings": "", - "medium": "Archival pigment print with gold leaf and acrylic paint", + "medium": "Archival pigment print with gold leaf and acrylic paint on paper", "nationality": "American (born Japan)", "object_name": "Print with hand-painting", - "portfolio": "From From \"The Redemption\" series (2018-19)", - "provenance": "The artist; (Galerie Myrtis, Baltimore); sold to MIA, 2020.", + "portfolio": "From \"The Redemption\" series (2018-19)", + "provenance": "The artist; [Galerie Myrtis, Baltimore]; sold to MIA, 2020.", "restricted": 1, "rights_type": "In Copyright", "role": "Artist", diff --git a/objects/17/17291.json b/objects/17/17291.json index e310f81be6c..ceabb198d92 100644 --- a/objects/17/17291.json +++ b/objects/17/17291.json @@ -10,7 +10,7 @@ "culture": null, "curator_approved": 0, "dated": "20th century", - "department": "Paintings", + "department": "Arts of the Americas", "description": "Surrealist landscape.", "dimension": "18 x 24 in. (45.72 x 60.96 cm) (canvas)\r\n20 1/4 x 26 1/8 x 2 in. (51.44 x 66.36 x 5.08 cm) (outer frame)", "id": "http://api.artsmia.org/objects/17291", diff --git a/objects/19/19248.json b/objects/19/19248.json index a44c8953c49..1c179f4a8f1 100644 --- a/objects/19/19248.json +++ b/objects/19/19248.json @@ -1,7 +1,7 @@ { "accession_number": "66.59.2", "art_champions_text": null, - "artist": "Maker: Théophile-Alexandre Steinlen", + "artist": "Maker: Théophile Alexandre Steinlen", "catalogue_raissonne": null, "classification": " Drawings", "continent": "Europe", @@ -19,7 +19,7 @@ "image_height": 3502, "image_width": 4493, "inscription": "", - "life_date": "French (born Switzerland), 1859–1923", + "life_date": "French (born Switzerland), Lausanne 1859– Paris 1923", "markings": "", "medium": "Brush and black ink on wove paper", "nationality": "French", diff --git a/objects/2/2488.json b/objects/2/2488.json index 090192e0a2e..83168cd5478 100644 --- a/objects/2/2488.json +++ b/objects/2/2488.json @@ -25,7 +25,7 @@ "nationality": "Italian (Umbria)", "object_name": "Painting", "portfolio": "From ", - "provenance": "", + "provenance": "Sale, Sotheby's, London, June 9, 1955, no. 91, as \"Property of a Lady, formerly the Chateau du Haut-Buc, Seine-et-Oise, France.\"[1], for $1,450, to Agnew; [Thomas Agnew and Sons, Ltd., London, England, since 1955). Lady Robertston, London (by 1968).[Thomas Agnew and Sons, Ltd., London, 1977; sold, for £27,000, to Mia]\r\n\r\n[1] **This consignor for lot 91 must be confirmed**\r\n\r\nAccording to correspondence dated October 4, 1979 from Ellis Waterhouse in the curatorial file, and \"Les Arts,\" 1917, no. 162, the work may have been in the collection of Federico Gentili di Giuseppe [1868-1940]. \r\n\r\nThe provenance project of the Boston Museum of Fine Arts states that \"Giuseppe was a Jewish Italian resident of France, who died of natural causes in 1940. His collection was sold under the order of a French court during the Nazi occupation of Paris and much of France during World War II. In 1997, the heirs of Federico Gentili di Giuseppe brought legal action against the Musée du Louvre and the State of France to have the April 23-24, 1941 auction sale of Gentili di Giuseppe's estate, held at Hotel Drouot, Paris, declared null and void. On June 2, 1999, the Court of Appeals of Paris nullified the 1941 sale, determining that the descendants of the owner had been prevented from attending to the administration of the estate due to the German occupation of France. Subsequent to that ruling, the Louvre and the Gemäldegalerie, Berlin, returned paintings acquired from the Gentili di Giuseppe collection to the heirs.\" The Mia panels were not in the 1941 sale. It has yet to be determined if they were ever in the Giuseppe collection. \r\n\r\nAntoine Watteau, \"The Wedding Procession\" ca. 1721, NGA Washington, DC, (2008.8.1) comes from the same sale at Sotheby's in 1955.\r\n\r\nFor additional provenance regarding Giuseppe/Chateau de Haut-Buc, see National Gallery 2008.8.1.\r\n\r\nNB: Is Lady Robertson, Ann Payne Robertson' Sale, Sotheby's, London, November 26, 1970. \r\n\r\n", "restricted": 0, "rights_type": "Public Domain", "role": "Artist", diff --git a/objects/3/3587.json b/objects/3/3587.json index 9441956c70a..f92a31ce8ab 100644 --- a/objects/3/3587.json +++ b/objects/3/3587.json @@ -1,7 +1,7 @@ { "accession_number": "87.45", "art_champions_text": null, - "artist": "Artist: Gustave-Achille Guillaumet", + "artist": "Artist: Gustave Achille Guillaumet", "catalogue_raissonne": null, "classification": " Drawings", "continent": "Europe", diff --git a/objects/3/3736.json b/objects/3/3736.json index dc8077d765d..9bf5d59d81d 100644 --- a/objects/3/3736.json +++ b/objects/3/3736.json @@ -29,7 +29,7 @@ "restricted": 0, "rights_type": "Public Domain", "role": "Artist", - "room": "Not on View", + "room": "G310", "see_also": [ "" ], diff --git a/objects/36/36429.json b/objects/36/36429.json new file mode 100644 index 00000000000..5e43a0790ea --- /dev/null +++ b/objects/36/36429.json @@ -0,0 +1,40 @@ +{ + "accession_number": "2022.94.1", + "art_champions_text": null, + "artist": "Photographer: Gilles Peress", + "catalogue_raissonne": null, + "classification": " Photographs", + "continent": "Europe", + "country": "France", + "creditline": "Gift of Stephen Parker", + "culture": null, + "curator_approved": 0, + "dated": "1993", + "department": "Global Contemporary Art", + "description": "", + "dimension": "9 5/16 × 13 5/16 in. (23.7 × 33.8 cm) (image)", + "id": "http://api.artsmia.org/objects/36429", + "image": "invalid", + "image_copyright": "", + "image_height": "", + "image_width": "", + "inscription": "artist\\'s stamp", + "life_date": "French, born 1946", + "markings": "back LR corner \\' c Gilles Peress/Magnum Photos\\'", + "medium": "gelatin silver print", + "nationality": "French", + "object_name": "Photograph", + "portfolio": "From ", + "provenance": "", + "restricted": 1, + "rights_type": "Copyright Not Evaluated", + "role": "Artist", + "room": "Not on View", + "see_also": [ + "" + ], + "signed": "", + "style": "20th century", + "text": "Gilles Peress' s photographs of Bosnia expose the psychological impact of the Bosnian War. Images depicting the traumas and rigors of life endured by soldiers, refugees and civilians on a daily basis. Peress confronts European history and the reemergence of nationalism, asking people to consider their role in these cycles of history.\r\n\r\n\"These photographs show a nation invaded, a nation at war. Refugees are on the road, drifting through the rain, moving through camps and hospitals, an endless calvary of images flashing by in a blur: exhaustion, too many images, too much horror. The witnesses become indifferent. My point is that we, in the comfort of our lives, must question our role in the history of Bosnia, which is also our history.\"\r\n\r\n- Gilles Peress", + "title": "Bosnia [woman with bandaged left eye wearing scarf and sweater]" +} diff --git a/objects/36/36430.json b/objects/36/36430.json new file mode 100644 index 00000000000..e2fc9179a26 --- /dev/null +++ b/objects/36/36430.json @@ -0,0 +1,40 @@ +{ + "accession_number": "2022.94.2", + "art_champions_text": null, + "artist": "Photographer: Gilles Peress", + "catalogue_raissonne": null, + "classification": " Photographs", + "continent": "Europe", + "country": "France", + "creditline": "Gift of Stephen Parker", + "culture": null, + "curator_approved": 0, + "dated": "1993", + "department": "Global Contemporary Art", + "description": "", + "dimension": "9 1/8 × 13 1/8 in. 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(23.7 × 33.8 cm) (image)", + "id": "http://api.artsmia.org/objects/36448", + "image": "invalid", + "image_copyright": "", + "image_height": "", + "image_width": "", + "inscription": "artist\\'s stamp", + "life_date": "French, born 1946", + "markings": "back LR corner \\' c Gilles Peress/Magnum Photos\\'", + "medium": "gelatin silver print", + "nationality": "French", + "object_name": null, + "portfolio": "From ", + "provenance": "", + "restricted": 1, + "rights_type": "Copyright Not Evaluated", + "role": "Artist", + "room": "Not on View", + "see_also": [ + "" + ], + "signed": "", + "style": "20th century", + "text": "", + "title": "Bosnia [short-haired woman sitting on bed with her hand on her face]" +} diff --git a/objects/36/36450.json b/objects/36/36450.json new file mode 100644 index 00000000000..d7f3819aa59 --- /dev/null +++ b/objects/36/36450.json @@ -0,0 +1,40 @@ +{ + "accession_number": "2022.94.21", + "art_champions_text": null, + "artist": "Photographer: Gilles Peress", + "catalogue_raissonne": null, + "classification": " Photographs", + "continent": "Europe", + "country": "France", + "creditline": "Gift of Stephen Parker", + "culture": null, + "curator_approved": 0, + "dated": "1993", + "department": "Global Contemporary Art", + "description": "", + "dimension": "9 1/4 × 13 1/4 in. (23.5 × 33.7 cm) (image)", + "id": "http://api.artsmia.org/objects/36450", + "image": "invalid", + "image_copyright": "", + "image_height": "", + "image_width": "", + "inscription": "artist\\'s stamp", + "life_date": "French, born 1946", + "markings": "back LR corner \\' c Gilles Peress/Magnum Photos\\'", + "medium": "gelatin silver print", + "nationality": "French", + "object_name": null, + "portfolio": "From ", + "provenance": "", + "restricted": 1, + "rights_type": "Copyright Not Evaluated", + "role": "Artist", + "room": "Not on View", + "see_also": [ + "" + ], + "signed": "", + "style": "20th century", + "text": "", + "title": "Bosnia [man walking through four children playing near wall]" +} diff --git a/objects/36/36451.json b/objects/36/36451.json new file mode 100644 index 00000000000..801ffd65be8 --- /dev/null +++ b/objects/36/36451.json @@ -0,0 +1,40 @@ +{ + "accession_number": "2022.94.22", + "art_champions_text": null, + "artist": "Photographer: Gilles Peress", + "catalogue_raissonne": null, + "classification": " Photographs", + "continent": "Europe", + "country": "France", + "creditline": "Gift of Stephen Parker", + "culture": null, + "curator_approved": 0, + "dated": "1993", + "department": "Global Contemporary Art", + "description": "", + "dimension": "9 5/16 × 13 5/16 in. (23.7 × 33.8 cm) (image)", + "id": "http://api.artsmia.org/objects/36451", + "image": "invalid", + "image_copyright": "", + "image_height": "", + "image_width": "", + "inscription": "artist\\'s stamp", + "life_date": "French, born 1946", + "markings": "back LR corner \\' c Gilles Peress/Magnum Photos\\'", + "medium": "gelatin silver print", + "nationality": "French", + "object_name": null, + "portfolio": "From ", + "provenance": "", + "restricted": 1, + "rights_type": "Copyright Not Evaluated", + "role": "Artist", + "room": "Not on View", + "see_also": [ + "" + ], + "signed": "", + "style": "20th century", + "text": "", + "title": "Bosnia [children tracing body shadow outlines in chalk]" +} diff --git a/objects/36/36452.json b/objects/36/36452.json new file mode 100644 index 00000000000..56d468b3067 --- /dev/null +++ b/objects/36/36452.json @@ -0,0 +1,40 @@ +{ + "accession_number": "2022.94.23", + "art_champions_text": null, + "artist": "Photographer: Gilles Peress", + "catalogue_raissonne": null, + "classification": " Photographs", + "continent": "Europe", + "country": "France", + "creditline": "Gift of Stephen Parker", + "culture": null, + "curator_approved": 0, + "dated": "1993", + "department": "Global Contemporary Art", + "description": "", + "dimension": "9 5/16 × 13 5/16 in. (23.7 × 33.8 cm) (image)", + "id": "http://api.artsmia.org/objects/36452", + "image": "invalid", + "image_copyright": "", + "image_height": "", + "image_width": "", + "inscription": "artist\\'s stamp", + "life_date": "French, born 1946", + "markings": "back LR corner \\' c Gilles Peress/Magnum Photos\\'", + "medium": "gelatin silver print", + "nationality": "French", + "object_name": null, + "portfolio": "From ", + "provenance": "", + "restricted": 1, + "rights_type": "Copyright Not Evaluated", + "role": "Artist", + "room": "Not on View", + "see_also": [ + "" + ], + "signed": "", + "style": "20th century", + "text": "", + "title": "Bosnia [torso of man whose hands have been amputated]" +} diff --git a/objects/36/36453.json b/objects/36/36453.json new file mode 100644 index 00000000000..fefe37c62a7 --- /dev/null +++ b/objects/36/36453.json @@ -0,0 +1,40 @@ +{ + "accession_number": "2022.94.24", + "art_champions_text": null, + "artist": "Photographer: Gilles Peress", + "catalogue_raissonne": null, + "classification": " Photographs", + "continent": "Europe", + "country": "France", + "creditline": "Gift of Stephen Parker", + "culture": null, + "curator_approved": 0, + "dated": "1993", + "department": "Global Contemporary Art", + "description": "", + "dimension": "9 5/16 × 13 5/16 in. (23.7 × 33.8 cm) (image)", + "id": "http://api.artsmia.org/objects/36453", + "image": "invalid", + "image_copyright": "", + "image_height": "", + "image_width": "", + "inscription": "artist\\'s stamp", + "life_date": "French, born 1946", + "markings": "back LR corner \\' c Gilles Peress/Magnum Photos\\'", + "medium": "gelatin silver print", + "nationality": "French", + "object_name": null, + "portfolio": "From ", + "provenance": "", + "restricted": 1, + "rights_type": "Copyright Not Evaluated", + "role": "Artist", + "room": "Not on View", + "see_also": [ + "" + ], + "signed": "", + "style": "20th century", + "text": "", + "title": "Bosnia [three prosthetic feet in a row]" +} diff --git a/objects/36/36454.json b/objects/36/36454.json new file mode 100644 index 00000000000..1bc0dc587a9 --- /dev/null +++ b/objects/36/36454.json @@ -0,0 +1,40 @@ +{ + "accession_number": "2022.94.25", + "art_champions_text": null, + "artist": "Photographer: Gilles Peress", + "catalogue_raissonne": null, + "classification": " Photographs", + "continent": "Europe", + "country": "France", + "creditline": "Gift of Stephen Parker", + "culture": null, + "curator_approved": 0, + "dated": "1993", + "department": "Global Contemporary Art", + "description": "", + "dimension": "9 1/4 × 13 5/16 in. (23.5 × 33.8 cm) (image)", + "id": "http://api.artsmia.org/objects/36454", + "image": "invalid", + "image_copyright": "", + "image_height": "", + "image_width": "", + "inscription": "artist\\'s stamp", + "life_date": "French, born 1946", + "markings": "back LR corner \\' c Gilles Peress/Magnum Photos\\'", + "medium": "gelatin silver print", + "nationality": "French", + "object_name": null, + "portfolio": "From ", + "provenance": "", + "restricted": 1, + "rights_type": "Copyright Not Evaluated", + "role": "Artist", + "room": "Not on View", + "see_also": [ + "" + ], + "signed": "", + "style": "20th century", + "text": "", + "title": "Bosnia [man shaking hands and whispering to a seated man]" +} diff --git a/objects/36/36455.json b/objects/36/36455.json new file mode 100644 index 00000000000..9628626ebb1 --- /dev/null +++ b/objects/36/36455.json @@ -0,0 +1,40 @@ +{ + "accession_number": "2022.94.26", + "art_champions_text": null, + "artist": "Photographer: Gilles Peress", + "catalogue_raissonne": null, + "classification": " Photographs", + "continent": "Europe", + "country": "France", + "creditline": "Gift of Stephen Parker", + "culture": null, + "curator_approved": 0, + "dated": "1993", + "department": "Global Contemporary Art", + "description": "", + "dimension": "9 × 13 7/16 in. (22.9 × 34.1 cm) (image)", + "id": "http://api.artsmia.org/objects/36455", + "image": "invalid", + "image_copyright": "", + "image_height": "", + "image_width": "", + "inscription": "artist\\'s stamp", + "life_date": "French, born 1946", + "markings": "back LR corner \\' c Gilles Peress/Magnum Photos\\'", + "medium": "gelatin silver print", + "nationality": "French", + "object_name": null, + "portfolio": "From ", + "provenance": "", + "restricted": 1, + "rights_type": "Copyright Not Evaluated", + "role": "Artist", + "room": "Not on View", + "see_also": [ + "" + ], + "signed": "", + "style": "20th century", + "text": "", + "title": "Bosnia [open thigh wound with pins]" +} diff --git a/objects/36/36456.json b/objects/36/36456.json new file mode 100644 index 00000000000..c62ef491542 --- /dev/null +++ b/objects/36/36456.json @@ -0,0 +1,40 @@ +{ + "accession_number": "2022.94.27", + "art_champions_text": null, + "artist": "Photographer: Gilles Peress", + "catalogue_raissonne": null, + "classification": " Photographs", + "continent": "Europe", + "country": "France", + "creditline": "Gift of Stephen Parker", + "culture": null, + "curator_approved": 0, + "dated": "1993", + "department": "Global Contemporary Art", + "description": "", + "dimension": "9 1/16 × 13 7/16 in. (23 × 34.1 cm) (image)", + "id": "http://api.artsmia.org/objects/36456", + "image": "invalid", + "image_copyright": "", + "image_height": "", + "image_width": "", + "inscription": "artist\\'s stamp", + "life_date": "French, born 1946", + "markings": "back LR corner \\' c Gilles Peress/Magnum Photos\\'", + "medium": "gelatin silver print", + "nationality": "French", + "object_name": null, + "portfolio": "From ", + "provenance": "", + "restricted": 1, + "rights_type": "Copyright Not Evaluated", + "role": "Artist", + "room": "Not on View", + "see_also": [ + "" + ], + "signed": "", + "style": "20th century", + "text": "", + "title": "Bosnia [face of an elderly man lying in bed and looking at camera]" +} diff --git a/objects/36/36457.json b/objects/36/36457.json new file mode 100644 index 00000000000..48526aedbd0 --- /dev/null +++ b/objects/36/36457.json @@ -0,0 +1,40 @@ +{ + "accession_number": "2022.94.28", + "art_champions_text": null, + "artist": "Photographer: Gilles Peress", + "catalogue_raissonne": null, + "classification": " Photographs", + "continent": "Europe", + "country": "France", + "creditline": "Gift of Stephen Parker", + "culture": null, + "curator_approved": 0, + "dated": "1993", + "department": "Global Contemporary Art", + "description": "", + "dimension": "9 1/8 × 13 7/16 in. (23.2 × 34.1 cm) (image)", + "id": "http://api.artsmia.org/objects/36457", + "image": "invalid", + "image_copyright": "", + "image_height": "", + "image_width": "", + "inscription": "artist\\'s stamp", + "life_date": "French, born 1946", + "markings": "back LR corner \\' c Gilles Peress/Magnum Photos\\'", + "medium": "gelatin silver print", + "nationality": "French", + "object_name": null, + "portfolio": "From ", + "provenance": "", + "restricted": 1, + "rights_type": "Copyright Not Evaluated", + "role": "Artist", + "room": "Not on View", + "see_also": [ + "" + ], + "signed": "", + "style": "20th century", + "text": "", + "title": "Bosnia [man sitting in bed with two amputated hands]" +} diff --git a/objects/36/36458.json b/objects/36/36458.json new file mode 100644 index 00000000000..90a644c3097 --- /dev/null +++ b/objects/36/36458.json @@ -0,0 +1,40 @@ +{ + "accession_number": "2022.94.29", + "art_champions_text": null, + "artist": "Photographer: Gilles Peress", + "catalogue_raissonne": null, + "classification": " Photographs", + "continent": "Europe", + "country": "France", + "creditline": "Gift of Stephen Parker", + "culture": null, + "curator_approved": 0, + "dated": "1993", + "department": "Global Contemporary Art", + "description": "", + "dimension": "9 1/16 × 13 3/16 in. (23 × 33.5 cm) (image)", + "id": "http://api.artsmia.org/objects/36458", + "image": "invalid", + "image_copyright": "", + "image_height": "", + "image_width": "", + "inscription": "artist\\'s stamp", + "life_date": "French, born 1946", + "markings": "back LR corner \\' c Gilles Peress/Magnum Photos\\'", + "medium": "gelatin silver print", + "nationality": "French", + "object_name": null, + "portfolio": "From ", + "provenance": "", + "restricted": 1, + "rights_type": "Copyright Not Evaluated", + "role": "Artist", + "room": "Not on View", + "see_also": [ + "" + ], + "signed": "", + "style": "20th century", + "text": "", + "title": "Bosnia [picture of a man held above a man's amputated legs]" +} diff --git a/objects/36/36459.json b/objects/36/36459.json new file mode 100644 index 00000000000..518cafd06ad --- /dev/null +++ b/objects/36/36459.json @@ -0,0 +1,40 @@ +{ + "accession_number": "2022.94.30", + "art_champions_text": null, + "artist": "Photographer: Gilles Peress", + "catalogue_raissonne": null, + "classification": " Photographs", + "continent": "Europe", + "country": "France", + "creditline": "Gift of Stephen Parker", + "culture": null, + "curator_approved": 0, + "dated": "1993", + "department": "Global Contemporary Art", + "description": "", + "dimension": "9 5/16 × 13 5/16 in. (23.7 × 33.8 cm) (image)", + "id": "http://api.artsmia.org/objects/36459", + "image": "invalid", + "image_copyright": "", + "image_height": "", + "image_width": "", + "inscription": "artist\\'s stamp", + "life_date": "French, born 1946", + "markings": "back LR corner \\' c Gilles Peress/Magnum Photos\\'", + "medium": "gelatin silver print", + "nationality": "French", + "object_name": null, + "portfolio": "From ", + "provenance": "", + "restricted": 1, + "rights_type": "Copyright Not Evaluated", + "role": "Artist", + "room": "Not on View", + "see_also": [ + "" + ], + "signed": "", + "style": "20th century", + "text": "", + "title": "Bosnia [close-up of man's head in profile with him staring up]" +} diff --git a/objects/36/36460.json b/objects/36/36460.json new file mode 100644 index 00000000000..b45caa5c0ee --- /dev/null +++ b/objects/36/36460.json @@ -0,0 +1,40 @@ +{ + "accession_number": "2022.94.31", + "art_champions_text": null, + "artist": "Photographer: Gilles Peress", + "catalogue_raissonne": null, + "classification": " Photographs", + "continent": "Europe", + "country": "France", + "creditline": "Gift of Stephen Parker", + "culture": null, + "curator_approved": 0, + "dated": "1993", + "department": "Global Contemporary Art", + "description": "", + "dimension": "9 5/16 × 13 5/16 in. (23.7 × 33.8 cm) (image)", + "id": "http://api.artsmia.org/objects/36460", + "image": "invalid", + "image_copyright": "", + "image_height": "", + "image_width": "", + "inscription": "artist\\'s stamp", + "life_date": "French, born 1946", + "markings": "back LR corner \\' c Gilles Peress/Magnum Photos\\'", + "medium": "gelatin silver print", + "nationality": "French", + "object_name": null, + "portfolio": "From ", + "provenance": "", + "restricted": 1, + "rights_type": "Copyright Not Evaluated", + "role": "Artist", + "room": "Not on View", + "see_also": [ + "" + ], + "signed": "", + "style": "20th century", + "text": "", + "title": "Bosnia [close-up of leg amputated at hip with mesh bandage and stitches]" +} diff --git a/objects/36/36462.json b/objects/36/36462.json new file mode 100644 index 00000000000..9641f82bb22 --- /dev/null +++ b/objects/36/36462.json @@ -0,0 +1,40 @@ +{ + "accession_number": "2022.94.32", + "art_champions_text": null, + "artist": "Photographer: Gilles Peress", + "catalogue_raissonne": null, + "classification": " Photographs", + "continent": "Europe", + "country": "France", + "creditline": "Gift of Stephen Parker", + "culture": null, + "curator_approved": 0, + "dated": "1993", + "department": "Global Contemporary Art", + "description": "", + "dimension": "9 1/8 × 13 3/16 in. (23.2 × 33.5 cm) (image)", + "id": "http://api.artsmia.org/objects/36462", + "image": "invalid", + "image_copyright": "", + "image_height": "", + "image_width": "", + "inscription": "artist\\'s stamp", + "life_date": "French, born 1946", + "markings": "back LR corner \\' c Gilles Peress/Magnum Photos\\'", + "medium": "gelatin silver print", + "nationality": "French", + "object_name": null, + "portfolio": "From ", + "provenance": "", + "restricted": 1, + "rights_type": "Copyright Not Evaluated", + "role": "Artist", + "room": "Not on View", + "see_also": [ + "" + ], + "signed": "", + "style": "20th century", + "text": "", + "title": "Bosnia [close-up of boy's face, metal fence and boy kneeling on rock in water]" +} diff --git a/objects/36/36463.json b/objects/36/36463.json new file mode 100644 index 00000000000..b01959a7749 --- /dev/null +++ b/objects/36/36463.json @@ -0,0 +1,40 @@ +{ + "accession_number": "2022.94.33", + "art_champions_text": null, + "artist": "Photographer: Gilles Peress", + "catalogue_raissonne": null, + "classification": " Photographs", + "continent": "Europe", + "country": "France", + "creditline": "Gift of Stephen Parker", + "culture": null, + "curator_approved": 0, + "dated": "1993", + "department": "Global Contemporary Art", + "description": "", + "dimension": "9 3/16 × 13 1/4 in. (23.3 × 33.7 cm) (image)", + "id": "http://api.artsmia.org/objects/36463", + "image": "invalid", + "image_copyright": "", + "image_height": "", + "image_width": "", + "inscription": "artist\\'s stamp", + "life_date": "French, born 1946", + "markings": "back LR corner \\' c Gilles Peress/Magnum Photos\\'", + "medium": "gelatin silver print", + "nationality": "French", + "object_name": null, + "portfolio": "From ", + "provenance": "", + "restricted": 1, + "rights_type": "Copyright Not Evaluated", + "role": "Artist", + "room": "Not on View", + "see_also": [ + "" + ], + "signed": "", + "style": "20th century", + "text": "", + "title": "Bosnia [women washing clothes while others wash themselves]" +} diff --git a/objects/36/36464.json b/objects/36/36464.json new file mode 100644 index 00000000000..362360a5f04 --- /dev/null +++ b/objects/36/36464.json @@ -0,0 +1,40 @@ +{ + "accession_number": "2022.94.34", + "art_champions_text": null, + "artist": "Photographer: Gilles Peress", + "catalogue_raissonne": null, + "classification": " Photographs", + "continent": "Europe", + "country": "France", + "creditline": "Gift of Stephen Parker", + "culture": null, + "curator_approved": 0, + "dated": "1993", + "department": "Global Contemporary Art", + "description": "", + "dimension": "9 5/16 × 13 5/16 in. (23.7 × 33.8 cm) (image)", + "id": "http://api.artsmia.org/objects/36464", + "image": "invalid", + "image_copyright": "", + "image_height": "", + "image_width": "", + "inscription": "artist\\'s stamp", + "life_date": "French, born 1946", + "markings": "back LR corner \\' c Gilles Peress/Magnum Photos\\'", + "medium": "gelatin silver print", + "nationality": "French", + "object_name": null, + "portfolio": "From ", + "provenance": "", + "restricted": 1, + "rights_type": "Copyright Not Evaluated", + "role": "Artist", + "room": "Not on View", + "see_also": [ + "" + ], + "signed": "", + "style": "20th century", + "text": "", + "title": "Bosnia [man with large scars on his back, people swimming in background]" +} diff --git a/objects/36/36465.json b/objects/36/36465.json new file mode 100644 index 00000000000..02535f50d50 --- /dev/null +++ b/objects/36/36465.json @@ -0,0 +1,40 @@ +{ + "accession_number": "2022.94.35", + "art_champions_text": null, + "artist": "Photographer: Gilles Peress", + "catalogue_raissonne": null, + "classification": " Photographs", + "continent": "Europe", + "country": "France", + "creditline": "Gift of Stephen Parker", + "culture": null, + "curator_approved": 0, + "dated": "1993", + "department": "Global Contemporary Art", + "description": "", + "dimension": "9 5/16 × 13 5/16 in. (23.7 × 33.8 cm) (image)", + "id": "http://api.artsmia.org/objects/36465", + "image": "invalid", + "image_copyright": "", + "image_height": "", + "image_width": "", + "inscription": "artist\\'s stamp", + "life_date": "French, born 1946", + "markings": "back LR corner \\' c Gilles Peress/Magnum Photos\\'", + "medium": "gelatin silver print", + "nationality": "French", + "object_name": null, + "portfolio": "From ", + "provenance": "", + "restricted": 1, + "rights_type": "Copyright Not Evaluated", + "role": "Artist", + "room": "Not on View", + "see_also": [ + "" + ], + "signed": "", + "style": "20th century", + "text": "", + "title": "Bosnia [four men with crutches]" +} diff --git a/objects/4/4568.json b/objects/4/4568.json index 4804bb8f7ad..dd049673428 100644 --- a/objects/4/4568.json +++ b/objects/4/4568.json @@ -35,6 +35,6 @@ ], "signed": "", "style": "17th century", - "text": "", + "text": "Jacob Jordaens, a leading painter of Antwerp in the Spanish Netherlands during the seventeenth century, painted these two oil sketches of a bearded man from life. Jordaens emulated Peter Paul Rubens, his more famous contemporary, in his use of oil sketches as part of the creative process. Whereas Rubens mostly produced compositional sketches, Jordaens focused on character studies, which served as models for individual figures in his large narrative paintings. This bearded man appears in three pictures. The earliest of these, \"Saint Peter finding the Tribute Money in the Fish's Mouth\" (c. 1630, now in Copenhagen). The same man appears as a witness in Jordaen's monumental altarpiece, \"Saint Martin Healing a Possessed Man,\" (1630, now Museum of Fine Arts, Brussels). He also appears Jordaens's \"Triumph of the Eucharist\" (c. 1630, National Gallery of Ireland, Dublin).\r\n\r\nJordaen's lively and direct oil sketches are a uniquely immediate and intimate form of artistic expression.", "title": "Two Studies of the Head of an Old Man" } diff --git a/objects/42/42259.json b/objects/42/42259.json index ed6cf2222d1..01167ba0fea 100644 --- a/objects/42/42259.json +++ b/objects/42/42259.json @@ -1,7 +1,7 @@ { "accession_number": "P.69.1", "art_champions_text": null, - "artist": "Maker: Théophile-Alexandre Steinlen; Publisher: Engelmann and Graf", + "artist": "Maker: Théophile Alexandre Steinlen; Publisher: Engelmann and Graf", "catalogue_raissonne": "C.R. 293 os", "classification": " Prints", "continent": "Europe", @@ -19,7 +19,7 @@ "image_height": 3806, "image_width": 4656, "inscription": "", - "life_date": "French (born Switzerland), 1859–1923", + "life_date": "French (born Switzerland), Lausanne 1859– Paris 1923", "markings": "", "medium": "Color lithograph", "nationality": "French", diff --git a/objects/5/5912.json b/objects/5/5912.json index 5d940d88755..dd57ab02c37 100644 --- a/objects/5/5912.json +++ b/objects/5/5912.json @@ -1,7 +1,7 @@ { "accession_number": "99.197", "art_champions_text": null, - "artist": "Artist: Gustave-Achille Guillaumet", + "artist": "Artist: Gustave Achille Guillaumet", "catalogue_raissonne": null, "classification": " Paintings", "continent": "Europe", diff --git a/objects/54/54920.json b/objects/54/54920.json index 2b64b4cf7c9..e111fa043eb 100644 --- a/objects/54/54920.json +++ b/objects/54/54920.json @@ -1,7 +1,7 @@ { "accession_number": "P.13,795", "art_champions_text": null, - "artist": "Artist: Théophile-Alexandre Steinlen", + "artist": "Artist: Théophile Alexandre Steinlen", "catalogue_raissonne": "Crauzat 66", "classification": " Prints", "continent": "Europe", @@ -19,7 +19,7 @@ "image_height": 2045, "image_width": 1900, "inscription": "Marks", - "life_date": "French (born Switzerland), 1859–1923", + "life_date": "French (born Switzerland), Lausanne 1859– Paris 1923", "markings": "Mat board: [Crauzat 66]; on the print paper: illegible lettering with [66]; [T. A. Steinlen (1859-1925)]", "medium": "Etching and aquatint, first state of two", "nationality": "French", diff --git a/objects/56/56561.json b/objects/56/56561.json index a7f23a2bbeb..a04761313be 100644 --- a/objects/56/56561.json +++ b/objects/56/56561.json @@ -1,7 +1,7 @@ { "accession_number": "P.12,776", "art_champions_text": null, - "artist": "Artist: Théophile-Alexandre Steinlen", + "artist": "Artist: Théophile Alexandre Steinlen", "catalogue_raissonne": "C 33 os", "classification": " Prints", "continent": "Europe", @@ -19,7 +19,7 @@ "image_height": 6701, "image_width": 4445, "inscription": "", - "life_date": "French (born Switzerland), 1859–1923", + "life_date": "French (born Switzerland), Lausanne 1859– Paris 1923", "markings": "", "medium": "Color etching and aquatint", "nationality": "French", diff --git a/objects/56/56570.json b/objects/56/56570.json index 8afebb1c323..7decdb01c74 100644 --- a/objects/56/56570.json +++ b/objects/56/56570.json @@ -1,7 +1,7 @@ { "accession_number": "P.12,777", "art_champions_text": null, - "artist": "Artist: Théophile-Alexandre Steinlen", + "artist": "Artist: Théophile Alexandre Steinlen", "catalogue_raissonne": "C 41 iii/iii", "classification": " Prints", "continent": "Europe", @@ -19,7 +19,7 @@ "image_height": 6412, "image_width": 4662, "inscription": "", - "life_date": "French (born Switzerland), 1859–1923", + "life_date": "French (born Switzerland), Lausanne 1859– Paris 1923", "markings": "", "medium": "Color etching", "nationality": "French", diff --git a/objects/70/70110.json b/objects/70/70110.json index 8d12c685b0e..c1a311e508d 100644 --- a/objects/70/70110.json +++ b/objects/70/70110.json @@ -10,7 +10,7 @@ "culture": null, "curator_approved": 0, "dated": "1852", - "department": "Prints and Drawings", + "department": "European Art", "description": "", "dimension": "8 7/16 x 11 1/16 in. (21.43 x 28.1 cm) (sheet)", "id": "http://api.artsmia.org/objects/70110", @@ -19,7 +19,7 @@ "image_height": "", "image_width": "", "inscription": "", - "life_date": "French, 1808-1879", + "life_date": "French, 1808–1879", "markings": "", "medium": "Lithograph", "nationality": "French", diff --git a/objects/70/70111.json b/objects/70/70111.json index 3b4b8b282dc..2138e5a13c2 100644 --- a/objects/70/70111.json +++ b/objects/70/70111.json @@ -10,7 +10,7 @@ "culture": null, "curator_approved": 0, "dated": "1852", - "department": "Prints and Drawings", + "department": "European Art", "description": "", "dimension": "8 1/4 x 10 5/8 in. (20.96 x 26.99 cm) (sheet)", "id": "http://api.artsmia.org/objects/70111", @@ -19,7 +19,7 @@ "image_height": "", "image_width": "", "inscription": "", - "life_date": "French, 1808-1879", + "life_date": "French, 1808–1879", "markings": "", "medium": "Lithograph", "nationality": "French", diff --git a/objects/70/70112.json b/objects/70/70112.json index bf496ca0f86..1142718b876 100644 --- a/objects/70/70112.json +++ b/objects/70/70112.json @@ -10,7 +10,7 @@ "culture": null, "curator_approved": 0, "dated": "1852", - "department": "Prints and Drawings", + "department": "European Art", "description": "", "dimension": "8 1/8 x 10 13/16 in. (20.64 x 27.46 cm) (sheet)", "id": "http://api.artsmia.org/objects/70112", @@ -19,7 +19,7 @@ "image_height": "", "image_width": "", "inscription": "", - "life_date": "French, 1808-1879", + "life_date": "French, 1808–1879", "markings": "", "medium": "Lithograph", "nationality": "French", diff --git a/objects/70/70113.json b/objects/70/70113.json index b9358f03ebb..ab1bab64836 100644 --- a/objects/70/70113.json +++ b/objects/70/70113.json @@ -10,7 +10,7 @@ "culture": null, "curator_approved": 0, "dated": "1852", - "department": "Prints and Drawings", + "department": "European Art", "description": "", "dimension": "10 1/8 x 8 11/16 in. (25.72 x 22.07 cm) (sheet)", "id": "http://api.artsmia.org/objects/70113", @@ -19,7 +19,7 @@ "image_height": "", "image_width": "", "inscription": "", - "life_date": "French, 1808-1879", + "life_date": "French, 1808–1879", "markings": "", "medium": "Lithograph", "nationality": "French", diff --git a/objects/70/70114.json b/objects/70/70114.json index 3c18ea0f69b..f4db8ee8315 100644 --- a/objects/70/70114.json +++ b/objects/70/70114.json @@ -10,7 +10,7 @@ "culture": null, "curator_approved": 0, "dated": "1852", - "department": "Prints and Drawings", + "department": "European Art", "description": "", "dimension": "9 7/8 x 8 1/2 in. (25.08 x 21.59 cm) (sheet)", "id": "http://api.artsmia.org/objects/70114", @@ -19,7 +19,7 @@ "image_height": "", "image_width": "", "inscription": "", - "life_date": "French, 1808-1879", + "life_date": "French, 1808–1879", "markings": "", "medium": "Lithograph", "nationality": "French", diff --git a/objects/70/70115.json b/objects/70/70115.json index 4012c52029f..94baf4c5a8a 100644 --- a/objects/70/70115.json +++ b/objects/70/70115.json @@ -10,7 +10,7 @@ "culture": null, "curator_approved": 0, "dated": "1852", - "department": "Prints and Drawings", + "department": "European Art", "description": "", "dimension": "10 3/8 x 8 13/16 in. (26.35 x 22.38 cm) (sheet)", "id": "http://api.artsmia.org/objects/70115", @@ -19,7 +19,7 @@ "image_height": "", "image_width": "", "inscription": "", - "life_date": "French, 1808-1879", + "life_date": "French, 1808–1879", "markings": "", "medium": "Lithograph", "nationality": "French", diff --git a/objects/70/70116.json b/objects/70/70116.json index 7234054c5aa..5132f9216c3 100644 --- a/objects/70/70116.json +++ b/objects/70/70116.json @@ -10,7 +10,7 @@ "culture": null, "curator_approved": 0, "dated": "1852", - "department": "Prints and Drawings", + "department": "European Art", "description": "", "dimension": "9 3/16 x 8 in. (23.34 x 20.32 cm) (sheet)", "id": "http://api.artsmia.org/objects/70116", @@ -19,7 +19,7 @@ "image_height": "", "image_width": "", "inscription": "", - "life_date": "French, 1808-1879", + "life_date": "French, 1808–1879", "markings": "", "medium": "Lithograph", "nationality": "French", diff --git a/objects/70/70117.json b/objects/70/70117.json index 994f7b284be..0df5a980193 100644 --- a/objects/70/70117.json +++ b/objects/70/70117.json @@ -10,7 +10,7 @@ "culture": null, "curator_approved": 0, "dated": "1852", - "department": "Prints and Drawings", + "department": "European Art", "description": "", "dimension": "7 7/8 x 10 15/16 in. (20 x 27.78 cm) (sheet)", "id": "http://api.artsmia.org/objects/70117", @@ -19,7 +19,7 @@ "image_height": "", "image_width": "", "inscription": "", - "life_date": "French, 1808-1879", + "life_date": "French, 1808–1879", "markings": "", "medium": "Lithograph", "nationality": "French", diff --git a/objects/70/70118.json b/objects/70/70118.json index 1d3b436b7e8..dbdd20aa560 100644 --- a/objects/70/70118.json +++ b/objects/70/70118.json @@ -10,7 +10,7 @@ "culture": null, "curator_approved": 0, "dated": "1852", - "department": "Prints and Drawings", + "department": "European Art", "description": "", "dimension": "9 3/4 x 7 7/16 in. (24.77 x 18.89 cm) (sheet)", "id": "http://api.artsmia.org/objects/70118", @@ -19,7 +19,7 @@ "image_height": "", "image_width": "", "inscription": "", - "life_date": "French, 1808-1879", + "life_date": "French, 1808–1879", "markings": "", "medium": "Lithograph", "nationality": "French", diff --git a/objects/70/70119.json b/objects/70/70119.json index 6a2b916b13f..5e429f67126 100644 --- a/objects/70/70119.json +++ b/objects/70/70119.json @@ -10,7 +10,7 @@ "culture": null, "curator_approved": 0, "dated": "1852", - "department": "Prints and Drawings", + "department": "European Art", "description": "", "dimension": "9 13/16 x 8 1/2 in. (24.92 x 21.59 cm) (sheet)", "id": "http://api.artsmia.org/objects/70119", @@ -19,7 +19,7 @@ "image_height": "", "image_width": "", "inscription": "", - "life_date": "French, 1808-1879", + "life_date": "French, 1808–1879", "markings": "", "medium": "Lithograph", "nationality": "French", diff --git a/objects/70/70121.json b/objects/70/70121.json index bafb5097817..4e16f84b228 100644 --- a/objects/70/70121.json +++ b/objects/70/70121.json @@ -10,7 +10,7 @@ "culture": null, "curator_approved": 0, "dated": "1852", - "department": "Prints and Drawings", + "department": "European Art", "description": "", "dimension": "10 5/16 x 8 13/16 in. (26.19 x 22.38 cm) (sheet)", "id": "http://api.artsmia.org/objects/70121", @@ -19,7 +19,7 @@ "image_height": "", "image_width": "", "inscription": "", - "life_date": "French, 1808-1879", + "life_date": "French, 1808–1879", "markings": "", "medium": "Lithograph", "nationality": "French", diff --git a/objects/70/70122.json b/objects/70/70122.json index cc343969462..ad27227680c 100644 --- a/objects/70/70122.json +++ b/objects/70/70122.json @@ -10,7 +10,7 @@ "culture": null, "curator_approved": 0, "dated": "1852", - "department": "Prints and Drawings", + "department": "European Art", "description": "", "dimension": "9 3/4 x 8 1/2 in. (24.77 x 21.59 cm) (sheet)", "id": "http://api.artsmia.org/objects/70122", @@ -19,7 +19,7 @@ "image_height": "", "image_width": "", "inscription": "", - "life_date": "French, 1808-1879", + "life_date": "French, 1808–1879", "markings": "", "medium": "Lithograph", "nationality": "French", diff --git a/objects/70/70124.json b/objects/70/70124.json index 7b59e29dc58..36dd33b8632 100644 --- a/objects/70/70124.json +++ b/objects/70/70124.json @@ -10,7 +10,7 @@ "culture": null, "curator_approved": 0, "dated": "1852", - "department": "Prints and Drawings", + "department": "European Art", "description": "", "dimension": "8 1/4 x 10 13/16 in. (20.96 x 27.46 cm) (sheet)", "id": "http://api.artsmia.org/objects/70124", @@ -19,7 +19,7 @@ "image_height": "", "image_width": "", "inscription": "", - "life_date": "French, 1808-1879", + "life_date": "French, 1808–1879", "markings": "", "medium": "Lithograph", "nationality": "French", diff --git a/objects/70/70125.json b/objects/70/70125.json index 2be487711d4..e3dfd970ab7 100644 --- a/objects/70/70125.json +++ b/objects/70/70125.json @@ -10,7 +10,7 @@ "culture": null, "curator_approved": 0, "dated": "1852", - "department": "Prints and Drawings", + "department": "European Art", "description": "", "dimension": "7 7/16 x 10 1/4 in. (18.89 x 26.04 cm) (sheet)", "id": "http://api.artsmia.org/objects/70125", @@ -19,7 +19,7 @@ "image_height": "", "image_width": "", "inscription": "", - "life_date": "French, 1808-1879", + "life_date": "French, 1808–1879", "markings": "", "medium": "Lithograph", "nationality": "French", diff --git a/objects/70/70126.json b/objects/70/70126.json index d62bb538bad..401a39867c1 100644 --- a/objects/70/70126.json +++ b/objects/70/70126.json @@ -10,7 +10,7 @@ "culture": null, "curator_approved": 0, "dated": "1852", - "department": "Prints and Drawings", + "department": "European Art", "description": "", "dimension": "8 3/16 x 10 9/16 in. (20.8 x 26.83 cm) (sheet)", "id": "http://api.artsmia.org/objects/70126", @@ -19,7 +19,7 @@ "image_height": "", "image_width": "", "inscription": "", - "life_date": "French, 1808-1879", + "life_date": "French, 1808–1879", "markings": "", "medium": "Lithograph", "nationality": "French", diff --git a/objects/70/70127.json b/objects/70/70127.json index 9784b63f046..c8c331d3479 100644 --- a/objects/70/70127.json +++ b/objects/70/70127.json @@ -10,7 +10,7 @@ "culture": null, "curator_approved": 0, "dated": "1852", - "department": "Prints and Drawings", + "department": "European Art", "description": "", "dimension": "9 3/4 x 8 in. (24.77 x 20.32 cm) (sheet)", "id": "http://api.artsmia.org/objects/70127", @@ -19,7 +19,7 @@ "image_height": "", "image_width": "", "inscription": "", - "life_date": "French, 1808-1879", + "life_date": "French, 1808–1879", "markings": "", "medium": "Lithograph", "nationality": "French", diff --git a/objects/9/9011.json b/objects/9/9011.json index b33944cedaa..7f4c0679fb8 100644 --- a/objects/9/9011.json +++ b/objects/9/9011.json @@ -1,7 +1,7 @@ { "accession_number": "14.11", "art_champions_text": null, - "artist": "Artist: Théophile-Alexandre Steinlen", + "artist": "Artist: Théophile Alexandre Steinlen", "catalogue_raissonne": null, "classification": " Drawings", "continent": "Europe", @@ -19,7 +19,7 @@ "image_height": 3248, "image_width": 3785, "inscription": "Signature", - "life_date": "French (born Switzerland), 1859–1923", + "life_date": "French (born Switzerland), Lausanne 1859– Paris 1923", "markings": "", "medium": "Crayon on paper", "nationality": "French", diff --git a/objects/9/9106.json b/objects/9/9106.json index a3ea0ecc9a5..4d9ec97ccc1 100644 --- a/objects/9/9106.json +++ b/objects/9/9106.json @@ -3,7 +3,7 @@ "art_champions_text": null, "artist": "Artist: Jean-Baptiste-Edouard Detaille", "catalogue_raissonne": null, - "classification": " Drawings", + "classification": " Drawings; Works on Paper", "continent": "Europe", "country": "France", "creditline": "The Ethel Morrison Van Derlip Fund, by exchange", @@ -21,7 +21,7 @@ "inscription": "", "life_date": "French, 1848 - 1912", "markings": "", - "medium": "Pen and black ink over graphite with white heightening on buff wove paper", + "medium": "Pen and black ink over graphite, with white heightening on buff paper", "nationality": "French", "object_name": "Drawing", "portfolio": "From ", diff --git a/objects/9/9315.json b/objects/9/9315.json index df20a203ad0..efb831d4020 100644 --- a/objects/9/9315.json +++ b/objects/9/9315.json @@ -1,7 +1,7 @@ { "accession_number": "23.50.49", "art_champions_text": null, - "artist": "Artist: Théophile-Alexandre Steinlen", + "artist": "Artist: Théophile Alexandre Steinlen", "catalogue_raissonne": null, "classification": " Drawings", "continent": "Europe", @@ -19,7 +19,7 @@ "image_height": 5019, "image_width": 3445, "inscription": "Signature", - "life_date": "French (born Switzerland), 1859–1923", + "life_date": "French (born Switzerland), Lausanne 1859– Paris 1923", "markings": "", "medium": "Pen and ink", "nationality": "French", diff --git a/objects/9/9366.json b/objects/9/9366.json index 2d394d16ef2..356fcd80a3c 100644 --- a/objects/9/9366.json +++ b/objects/9/9366.json @@ -1,7 +1,7 @@ { "accession_number": "23.50.50", "art_champions_text": null, - "artist": "Artist: Théophile-Alexandre Steinlen", + "artist": "Artist: Théophile Alexandre Steinlen", "catalogue_raissonne": null, "classification": " Drawings", "continent": "Europe", @@ -19,7 +19,7 @@ "image_height": 3301, "image_width": 3181, "inscription": "Title; Signature", - "life_date": "French (born Switzerland), 1859–1923", + "life_date": "French (born Switzerland), Lausanne 1859– Paris 1923", "markings": "[Deux Meres et 3 enfants II], in graphite", "medium": "Graphite", "nationality": "French",